In:Performing Metaphoric Creativity across Modes and Contexts
Edited by Laura Hidalgo-Downing and Blanca Kraljevic Mujic
[Figurative Thought and Language 7] 2020
► pp. 311–342
Chapter 13Figuring it out
Old modes and new codes for multimodality, technology and creative performativity in 21st century India
Published online: 29 May 2020
https://doi.org/10.1075/ftl.7.13nai
https://doi.org/10.1075/ftl.7.13nai
Abstract
Satya Nadella, Vikram Chandra and Manjul Bhargava, three public figures of Indian origin, have recently suggested that significant similarities exist between the creative processes involved in writing poetry and in producing computer codes. This paper explores some of the consequences of drawing on unfamiliar ‘non-western’ cultural traditions to augment current theories of creativity, coding and performativity. More specifically, it examines the premise that ‘creativity’ relies on an able grasp of rules, extends to a risk-taking capacity to break these very rules and, sometimes, to combine them with other embodied modes such as music and dance. The chapter argues that this premise is investigated in Indian treatises from Bharata to Nagojibhatta, who may have been early advocates of multimodality in the pre-modern world.
Article outline
- 1.Introduction: “Coding teaches us how to think”
- 2.Compositionality and Creativity: ‘Poetry is the best code’
- 3.Metaphor and Inference: “I am a riddle in nine syllables”
- The puzzle
- The challenge to its own medium
- The engagement with pattern
- 4.Performativity and Emotion: “We want an object of diversion, which must be audible as well as visible’’
- 5.Conclusion: “Eureka! Immense.”
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