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In:The Poetics of Time – Metaphors and Blends in Language and Literature
Anna Piata
[Figurative Thought and Language 3] 2018
► pp. 203–206

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Index

Published online: 1 February 2018
DOI logo with link
https://doi.org/10.1075/ftl.3.index

A

  • Abstract domain 5, 128
  • Ad hoc 1, 11, 15, 72, 77–78, 84, 104, 139, 176, 179–186
  • Affect 33, 35, 63, 178
  • Affective factors (in time perception) 14, 34–36, 63, 108, 183
  • Alliteration110
  • Amondawa 3, 42, 46
  • Anthropology of time 2, 46
  • A-series of time50
  • Aymara 3, 66, 124
  • Axis
    • Horizontal 30, 42, 58–59, 70, 151
    • Lateral 30, 185
    • Sagittal185
    • Vertical 42, 58–59

B

  • Blend/Blended space 6–7, 33, 37–38, 39, 75–77, 177–178
    • of events and experienced motion 40–43
    • of experienced events and clock time 48–51
    • of memory and physical space 64–65
    • of natural and mechanical time 44–48
    See also Conceptual integration network, Conceptual Integration Theory
  • Blending 6–7, 18–19, 34, 37–38, 58, 105, 131, 160, 175, 177, 181, 184–185
  • Blending Theory6 See also Conceptual Integration Theory
  • B-series of time50 See also A-series of time

C

  • Classical Greek 32, 58, 59, 66
  • Cognitive models36
  • Composition 75–76, 132, 179 ; See also Elaboration, Extension, Questioning
  • Conceptual integration network 6–7, 12, 34, 36–39, 48, 64–65, 78, 80, 83, 86, 89, 92, 94–96, 102–104, 107, 110, 112, 116, 118, 121, 130, 132–133, 135–140, 143, 147, 151, 159–160, 162, 167, 169, 172, 176, 179
    • Double scope 39, 78, 181
    • Generalized 7, 25, 40–51, 57, 58, 59, 62–65, 68–69, 71–73, 78–79, 84, 96, 100, 104, 110, 112, 118, 144, 160, 177–178
    • Mirror39
    • Simplex39
    • Single scope 39, 78, 181
  • Conceptual Integration Theory (CIT) 6–7, 8–9, 12–13, 17, 26, 29, 33–34, 36, 38–39, 40, 47, 62, 71–72, 75, 78, 82, 87, 114, 120, 126, 128, 132–133, 153, 175–176, 180–185
  • Conceptual Integration Theory vs. Conceptual Metaphor Theory 8–9, 13, 29–39, 72–73, 75, 77, 125–126, 127–129, 133, 153, 175–183
  • Conceptual metaphors
    • ᴅᴇᴀᴛʜ ɪs ᴅᴀʀᴋ144
    • ᴅᴇᴀᴛʜ ɪs ᴅᴇᴘᴀʀᴛᴜʀᴇ32
    • ᴅᴇᴘʀᴇssɪᴏɴ ɪs ᴅᴀʀᴋ 144, 149
    • ᴅɪғғɪᴄᴜʟᴛɪᴇs ᴀʀᴇ ʙᴜʀᴅᴇɴs139
    • ᴅᴜʀᴀᴛɪᴏɴ ɪs sᴘᴀᴛɪᴀʟ ᴇxᴛᴇɴᴛ89
    • ᴇᴠᴇɴᴛs ᴀʀᴇ ᴏʙᴊᴇᴄᴛs100
    • ʜᴀᴘᴘɪɴᴇss ɪs ʟɪɢʜᴛ149
    • ʟɪғᴇ ɪs ᴀ ʙᴜʀᴅᴇɴ139
    • ʟɪғᴇ ɪs ᴀ ғʟᴀᴍᴇ 129, 147–149
    • ʟɪғᴇ ɪs ᴀ ᴊᴏᴜʀɴᴇʏ 39, 85–87, 140–146
    • ʟɪғᴇ ɪs ᴀ ᴛᴀxɪ ʀɪᴅᴇ 140–146
    • ʟɪғᴇ ɪs ʟɪɢʜᴛ 147–149
    • ʟɪғᴇ ɪs ᴡᴀʀ95
    • ᴍɪɴᴅ ɪs ʙᴏᴅʏ132
    • ᴍᴏʀᴇ ɪs ᴜᴘ14
    • ɴᴏᴡ ɪs ʜᴇʀᴇ3
    • ᴘʀᴏxɪᴍɪᴛʏ ɪɴ ᴛɪᴍᴇ ɪs ᴘʀᴏxɪᴍɪᴛʏ ɪɴ sᴘᴀᴄᴇ 64, 116, 118, 151
    • ᴛʜᴇ ɴᴀᴛɪᴏɴ ɪs ᴀ sʜɪᴘ39
    • ᴛɪᴍᴇ ɪs ᴀ ᴄʜᴀɴɢᴇʀ 129–133
    • ᴛɪᴍᴇ ɪs ᴀ ᴅᴇsᴛʀᴏʏᴇʀ131
    • ᴛɪᴍᴇ ɪs ᴀ ᴅᴇᴠᴏᴜʀᴇʀ131
    • ᴛɪᴍᴇ ɪs ᴀɴ ᴇᴠᴀʟᴜᴀᴛᴏʀ131
    • ᴛɪᴍᴇ ɪs ᴀ ʜᴇᴀʟᴇʀ131
    • ᴛɪᴍᴇ ɪs ᴀ ʟᴀɴᴅsᴄᴀᴘᴇ 50–51 ; See also Ego-moving construal, ᴛɪᴍᴇ ɪs ᴀ ʟᴏᴄᴀᴛɪᴏɴ
    • ᴛɪᴍᴇ ɪs ᴀ ʟᴏᴄᴀᴛɪᴏɴ 6, 82 ; See also Ego-moving construal, ᴛɪᴍᴇ ɪs ᴀ ʟᴀɴᴅsᴄᴀᴘᴇ
    • ᴛɪᴍᴇ ɪs ᴀ ᴍᴏᴠɪɴɢ ᴇɴᴛɪᴛʏ 6, 10, 30–31 ; See also Time-flowing construal, ᴛɪᴍᴇ ɪs ᴀ ᴍᴏᴠɪɴɢ ᴏʙᴊᴇᴄᴛ
    • ᴛɪᴍᴇ ɪs ᴀ ᴍᴏᴠɪɴɢ ᴏʙᴊᴇᴄᴛ 50–51 ; See also Time-flowing construal, ᴛɪᴍᴇ ɪs ᴀ ᴍᴏᴠɪɴɢ ᴇɴᴛɪᴛʏ
    • ᴛɪᴍᴇ ɪs ᴀ ʀᴇᴀᴘᴇʀ131
    • ᴛɪᴍᴇ ɪs ᴀ ʀɪᴠᴇʀ 107–108
    • ᴛɪᴍᴇ ɪs ᴀ sᴄᴜʟᴘᴛᴏʀ 129–133
    • ᴛɪᴍᴇ ɪs ᴀ ᴛʜɪᴇғ131
    • ᴛɪᴍᴇ ɪs ʀᴇsᴏᴜʀᴄᴇs ᴀɴᴅ/ᴏʀ ᴍᴏɴᴇʏ 6, 11
  • Conceptual Metaphor Theory (CMT) 5–15, 17, 25, 29–39, 48, 50–51, 57, 61–62, 64, 71–73, 75, 77, 83, 86–87, 104–105, 114–116, 118, 121, 126, 127, 129, 132–134, 141, 153, 175–181, 184
  • Conceptual structure of time 6, 8, 12–13, 25–73, 75–76, 78–79, 87, 95, 103, 108, 120, 124, 126, 127–128, 136, 149, 153, 175–176
  • Constructions 27, 55, 59, 98–101, 110, 114
  • Context/Contextual cues 12, 34, 55, 75–76, 78, 83, 90, 94, 100, 104–105, 111, 113, 117, 120, 122, 125, 136, 155, 157, 160–161, 164, 167–168, 170–172, 179–180, 184
  • Continuum (of non-conventionality) 9, 13, 26, 39, 125–126, 127–128, 153, 156, 173, 183
  • Conventionality 9–13, 26–29, 94, 175, 181, 183–184
  • Creativity 1, 9–10, 13–15, 15–19, 22, 39, 75–78, 101, 111, 125–126, 126–129, 132, 152–153, 156, 168, 173, 175–183
    • Figurative 9–10, 125–126, 126–129, 152–153, 156, 168, 173, 175–183
    • Metaphorical 9, 13, 175
    See also Degrees of figurative creativity
  • Cognition 5, 15–18, 44, 178, 185–186
    • Distributed 33, 48
    • Embodied 129, 153, 182
  • Cognitive Linguistics 2, 5, 8, 9, 10, 12, 15–19, 28, 175, 184–186
  • Cognitive Linguistics vs. Cognitive Poetics 15–19
  • Cognitive Poetics 15–19, 96, 110, 175, 184, 186
  • Cognitive Rhetoric16
  • Cognitive Semiotics16
  • Cognitive Stylistics16
  • Constraints (on time conceptualization) 5, 13–14, 32, 105, 184–185
  • Corpus Stylistics16
  • Corpus of Modern Greek poetry 19–22, 75–77, 127–129, 156–157, 175, 178–179, 180, 182
  • Cyclic day 44, 45–46, 136
  • Cultural models 14, 33

D

  • Degree of figurative creativity 9–12, 14, 181, 183–184
    • First 78, 125, 152, 179, 183
    • High 152–153, 181, 183
    • Maximum 156, 173, 182–183
  • Discourse deviation 101, 186
  • Duration 13, 31–33, 35, 40, 42–43, 49, 57–59, 62–65, 89, 106, 108, 112, 139, 142–146, 148, 151, 155–157, 158–165, 166–173, 178, 182
    • Asymmetrical 13, 156
    • Experienced 32–33, 65 ; See also Protracted duration
    • Remembered 32–33, 65 ; See also Memory, Remembered events

E

  • Ego-moving construal 26, 50, 51–54, 60, 70, 71–73, 76, 79–91, 123, 177 ; See also ᴛɪᴍᴇ ɪs ᴀ ʟᴀɴᴅsᴄᴀᴘᴇ, ᴛɪᴍᴇ ɪs ᴀ ʟᴏᴄᴀᴛɪᴏɴ
  • Elaboration 75–76, 87, 96, 126, 179 ; See also Composition, Extension, Questioning
  • Embodiment 146, 184
  • Emergent structure 7, 12, 30, 31–32, 37, 48, 64–65, 71–71, 132, 136, 151, 156, 170, 178
  • Emotional involvement 36, 62, 63, 108, 119, 149, 152, 157, 160, 168, 170, 180
  • Entrenchment 27–29, 77, 125, 127–128, 152, 156, 183, 186
  • Events
    • Experienced 40, 48–51, 58, 62–63, 68–70, 72, 108, 113, 116, 160, 165, 167, 178
    • Local 43, 49
    • Remembered 64, 73, 116, 119, 178
    • Universal 47–49
  • Event Structure Metaphor 42, 100
  • Everyday discourse 4, 5, 8, 9, 11, 16, 17, 19, 25–26
    • Time in 25–73
  • Extension 10, 31, 75–76, 92–93, 105, 179 ; See also Composition, Elaboration, Questioning

F

  • Figurative expressions of time 10–15, 18, 22, 155–173, 177, 183
  • Figures of speech 4, 156
  • Folk understanding of time 6–7, 14, 55, 58, 72, 78, 82, 84, 94–95, 105, 120, 131, 133, 153, 177, 180–181
  • Frame/Frame structure 11–12, 19, 184–185
    • Motional 11, 26, 29, 83, 85, 95, 106, 124–125, 156, 173, 176, 179, 183
    • Non-motional 11, 128–129, 152–153, 156, 176, 180–183
  • Frame-compatible integrations 78, 95 ; See also Motion-based integrations
  • Frame-incompatible integrations181
  • Front/back 2, 43, 50, 54, 66, 69–70, 185
  • Future 8, 21, 28, 30, 32, 42, 50, 52–53, 66–71, 76, 86–87, 95, 120–125, 136, 146–152, 152, 178–180, 185

G

  • Generic space 6, 37
  • Genre 8, 20–21, 186
  • Gestures (of time) 7, 15, 30, 185–186

H

  • Hellenic National Corpus (HNC) 4, 25–26, 28
  • Hyperbole 13, 156–157, 162, 182

I

  • Iconicity 18, 97–98, 114
    • Diagrammatic 98, 114
    • Imagic97
  • Image schemas 32, 59, 127, 144
    • ᴄᴏɴᴛᴀɪɴᴍᴇɴᴛ59
    • ᴘᴀᴛʜ 59, 144
  • Imagery 72, 144, 180
  • Image-schematic/Imagistic structure 10, 127–128, 129, 132, 134–135, 136, 138, 144, 146, 150, 153, 180–182
  • Implicature 54, 83, 111
  • Inference 38, 39, 53, 72, 76, 83, 89, 90, 100, 102, 105, 127, 132, 136, 139, 145, 152, 157, 162, 167
  • Input spaces/Inputs 6–7, 12–13, 37, 39, 43, 49, 69, 77
    • of time conceptualization 40–48
  • Invariance Principle 32, 105

M

  • Manner of motion 56–57, 96, 100
  • Mapping
    • Conceptual 3, 5, 14, 25, 27, 30–31, 38, 72, 77, 95, 116, 127, 142, 147, 149, 169, 181
    • Cross-domain 5–6, 99, 105, 156, 182
    • Imagistic136
    • Metaphorical 9, 11, 30, 32–33, 37–39, 77–78, 84, 114, 116, 128, 131, 135, 160, 175, 179–180
  • Material anchors of temporality 33–34, 48
  • Memory 64–65, 71–73, 76, 113, 115–120, 125–126, 178, 180
    • Objective 115–117
    • Subjective 65, 113, 117–120, 126
  • Mental representations of time 1, 15, 30, 59, 185
  • Mental spaces 6–7, 18, 36–37, 72, 77, 81, 92, 104, 124, 156, 173, 177, 180, 184
  • Metaphor
  • Conceptual 5–10, 14, 18, 25, 27, 29–39, 50, 64, 68, 72, 75–76, 86, 89, 95, 118, 121, 127, 129, 139, 141, 147–148, 151, 153, 156, 175, 177, 179
    • Conventional 4–11, 14, 19, 25–126, 127, 153, 155–156, 173, 175–180, 182–183 ; See also Everyday metaphor
    • Conventionalized27
    • Creative 11–12, 14, 19, 75–126, 127, 152–153, 156, 173, 176, 178–181, 183
    • Everyday 8–9, 17, 19–20, 26–27, 77, 121, 125, 177–178 ; See also Conventional metaphor
    • Image/Image-based 10, 76, 127–129, 134–153, 180–181 ; See also Highly creative metaphor
    • Highly creative 11–12, 19, 78, 127–153, 156, 173, 176, 181–183
    • Non-conventional 1, 8–15, 19, 25–26, 75–78, 125, 153, 175, 180, 182 ; See also Creative/ Highly creative/ Novel metaphor
    • Novel 5, 7, 9, 11, 20, 39, 108, 128, 138, 183
    • Poetic 17, 19
  • Metonymy 7, 107, 140, 156
    • ᴘᴀʀᴛ ғᴏʀ ᴡʜᴏʟᴇ107
  • Motion
    • Experienced 40–43, 49–50, 52, 68–69, 72, 108, 113, 177
    • Fictive 35, 43, 145
    • Linear 26, 28, 30, 43, 52, 56, 69, 151
    • Linear and non-reversible/irreversible 37, 42–43, 58, 72, 84, 101, 108
    • Physical 28, 37, 47, 70, 87
  • Motion-based integrations 78, 106 ; See also Frame-compatible integrations
  • Motion verbs 28, 31, 51–71, 92, 94, 98, 110, 176–177
  • Motivations (of time conceptualization) 13–14, 78, 105, 125, 129, 147–150, 157, 172, 180, 183
    • Cultural 13–15, 42, 147–150, 153
    • Discursive 13–14, 78, 97–98, 180
    • Experiential 3, 14, 42, 58–59, 70–71, 98, 134, 139–140, 147–150, 178–180

N

  • Non-conventionality 9–11, 94, 175, 181, 183 ; See also Continuum (of non-conventionality), Creativity, Degree of figurative creativity, Creative/ Highly creative/ Non-conventional metaphor

O

  • Onomatopoeia 45, 78, 97 ; See also Iconicity
  • Optimality principles184

P

  • Parallelism 55, 78, 90, 110, 114 ; See also Iconicity
  • Past 8, 21, 28–29, 30, 32, 42, 50, 51, 53, 64, 66–71, 76, 86–87, 120–125, 146–152, 152, 178–179, 185
  • Pedagogical Stylistics16
  • Personification 127–133, 152–153, 181
  • Phenomenology of time157
  • Philosophy of time 2, 32, 50, 61
  • Poetic discourse 1, 12, 14, 16, 18, 20, 25, 29, 110, 114, 153, 176, 183–185
    • Time in 75–173
  • Poetry 1, 8–19, 29, 33, 63, 75–77, 98, 108, 110, 128, 137, 140, 157, 175–178, 180, 182, 184, 186 ; See also Poetic discourse, Corpus of Modern Greek poetry
  • Present 2, 32, 35, 50, 66–68, 86–87, 93, 110–114, 117, 119, 125, 178
  • Prototypes 18, 28
  • Protracted duration 13, 33, 62–63, 106–108, 112, 158–165, 168–172, 178

Q

  • Questioning 75–76, 121, 126, 179 ; See also Composition, Elaboration, Extension

R

  • Relevance Theory 5, 111
  • Repetition 45, 78, 110, 112

S

  • Schemas 18, 120
    • Textual 111, 114
  • Source domain 5, 10, 30, 32, 39, 61, 72, 76, 100, 127–128, 130, 134, 135, 139, 179, 181
  • Space 1–3, 25–73, 75–126
  • Speed of motion 31–36, 37, 43, 60–63, 72, 86–87, 96, 107, 108–115, 119, 140–146, 146–152, 156, 177
  • Synchronicity62

T

  • Target domain 5, 25, 30, 32, 37, 39, 72, 76, 105, 127–128, 134
  • Temporal compression 33, 62, 65, 108–115, 140–146, 146–152, 165–167, 168–172, 178 ; See also Compressed time
  • Temporal frames of reference50
  • Temporal units 13, 33–36, 40, 43–49, 52, 54, 57, 62, 69, 71, 89, 99, 107, 142, 160–161, 178
  • Theory of Lexical Concepts and Cognitive Models2
  • Time
  • Calendric2
    • Clock 37, 40, 44–48, 49–50, 55, 58, 60, 62, 68–69, 72, 108, 112, 157, 160, 162, 165, 169–170, 177, 182
    • Compressed 63, 65, 106, 111, 113–115, 119, 141, 156, 165, 167, 168–172, 182 ; See also Temporal compression
    • Cyclic42
    • Event45
    • Frozen 6, 32, 106
    • Linguistic2
    • Mechanical46
    • Natural 44–46, 48
    • Physical2
    • Protracted 23, 63, 87, 106, 108, 115, 158, 161, 168–172, 172–173 ; See also Protracted duration
    • Psychic2
    • Solar/Sun-based 45–46, 48
    • Subjective 13, 32–34, 43, 51, 59, 60–63, 71–73, 76, 106–115, 155–173, 177–178, 180, 182–183
    • Universal33
  • Time-emotion paradox63
  • Time-moving construal 26, 50–51, 54–57, 58, 62, 70, 71–72, 76, 91–101, 177 ; See also ᴛɪᴍᴇ ɪs ᴀ ᴍᴏᴠɪɴɢ ᴇɴᴛɪᴛʏ, ᴛɪᴍᴇ ɪs ᴀ ᴍᴏᴠɪɴɢ ᴏʙᴊᴇᴄᴛ
  • Time-flowing construal 8, 26, 51, 57–59, 60, 72, 76, 78, 80–84, 100, 101–106, 107, 177 ; See also ᴛɪᴍᴇ ɪs ᴀ ᴍᴏᴠɪɴɢ ᴇɴᴛɪᴛʏ, ᴛɪᴍᴇ ɪs ᴀ ᴍᴏᴠɪɴɢ ᴏʙᴊᴇᴄᴛ, ᴛɪᴍᴇ ɪs ᴀ ʀɪᴠᴇʀ
  • Time Orientation Metaphor 66, 71, 178

U

  • Up/down 2, 42, 58

V

  • Valence 108, 149
  • Vital relations 37, 77
    • Analogy 37, 41, 47, 64, 77, 81, 84, 86, 89, 93, 95, 97, 100, 102, 104, 108, 114, 143, 150, 160, 163, 165, 167
    • Cause-Effect 37, 77, 137, 139, 145
    • Identity 37, 41
    • Identity via Analogy 47, 64, 77, 81, 84, 86, 89, 93, 95, 97, 100, 102, 104, 107, 114, 116, 143, 150, 160, 162, 167, 169
    • Uniqueness 37, 41
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