Cover not available

In:The Rhetorical Mind: Current issues
Edited by Maria Clotilde Almeida, Rodrigo Furtado and Olga Blanco-Carrión
[Figurative Thought and Language 20] 2025
► pp. 141170

Get fulltext from our e-platform
References (32)
References
Arnheim, Rudolf. (1974). Art and Visual Perception. A Psychology of the Creative Eye. Berkeley, Los Angeles, London: University of California Press. Google Scholar logo with link to Google Scholar
Auerbach, Erich. (2003 [1953]). Mimesis. The Representation of Reality in Western Literature. Princeton and Oxford: Princeton University Press.Google Scholar logo with link to Google Scholar
Barthes, Roland. (1998 [1980]). A Câmara Clara. Lisbon: Edições 70.Google Scholar logo with link to Google Scholar
Baudrillard, Jean. (1999). Revenge of the Crystal. Selected Writings on the Modern Object and its Destiny, 1968–1983. London, Sterling, VA: Pluto Press.Google Scholar logo with link to Google Scholar
Baudrillard, Jean and Omar Calabrese. (2014). El trompe l’oeil. Presentación de Jorge Lozano. Madrid: Casimiro.Google Scholar logo with link to Google Scholar
Belting, Hans. (2014). Antropologia da Imagem. Lisbon: KKYM+EAUM.Google Scholar logo with link to Google Scholar
Benjamin, Walter. (1968). Illuminations. Essays and Reflections. New York: Schocken Books.Google Scholar logo with link to Google Scholar
Calabrese, Omar. (2010). L’art du trompe l’oeil. Paris: Citadelles & Mazenod.Google Scholar logo with link to Google Scholar
Calabrese, Omar and Victor I. Stoichita. (2015). La Verónica de Zurbarán. Prólogo de Jorge Lozano. Madrid: Casimiro.Google Scholar logo with link to Google Scholar
Chandler, Daniel. (2007). Semiotics: The Basics. London and New York: Routledge. Google Scholar logo with link to Google Scholar
Cikovsky Jr., Nicolai. (1992). “Sordid Mechanics” and “Monkey-Talents”: The Illusionistic Tradition. In William M. Harnett, Doreen Bolger, Marc Simpson, and John Wilmerding (eds.). Fort Worth, Amon Carter Museum, New York, Metropolitan Museum of Art, New York: Harry N. Abrams, Inc., pp. 19–29.Google Scholar logo with link to Google Scholar
Coleridge, Samuel Taylor. (1817). Biographia Literaria. Chapter XIV. Link: [URL]
Corazón, Alberto. (2005). El Bodegón Habla de Otras Cosas. Madrid: António Machado Libros.Google Scholar logo with link to Google Scholar
Fineman, Mia. (2012). Faking It. Manipulated Photography before Photoshop. New York: The Metropolitan Museum of Art.Google Scholar logo with link to Google Scholar
Garrett, Almeida. (1904 [1843]). Ao Conservatório Real. Obras Completas, vol. I. Lisbon, Empresa da História de Portugal Sociedade Editora, pp. 770–774.Google Scholar logo with link to Google Scholar
Goethe, Johann W. (1999 [1808]). Fausto. Lisbon: Relógio d’Água.Google Scholar logo with link to Google Scholar
Gombrich, E. H. (1977 [1959]). Art and Illusion. A Study in the Psychology of Pictorial Representation, 5th edition. London: Phaidon Press.Google Scholar logo with link to Google Scholar
Jakobson, Roman. (2014 [1959]). On Linguistic Aspects of Translation. In On Translation, Reuben Arthur Brower (ed.). Cambridge, MA: Harvard University Press, pp. 232–239.Google Scholar logo with link to Google Scholar
Joly, Martine, Anne Goliot-Lété, Thierry Lancien, Isabelle-Cécile Le Mée and Francis Vanoye. (2011). Dicionário de Imagem. Lisbon: Edições 70.Google Scholar logo with link to Google Scholar
Levy, Adrian and Cathy Scott-Clark. (2010). Warhol’s box of tricks. The Guardian, 21 Aug. Link: [URL]
Lozano, Jorge. (2014). Trampa ante los Ojos. Presentation to Jean Baudrillard and Omar Calabrese, El trompe l’oeil. Madrid: Casimiro, pp. 7–15.Google Scholar logo with link to Google Scholar
Marin, Louis. (1978). Représentation et simulacre. Critique, Jun.-Jul. Nº 373–374: pp. 534–543.Google Scholar logo with link to Google Scholar
. (1985). L’Imitation: aliénation ou source de liberté? Rencontres de l’École du Louvre. Paris: La Documentation Française.Google Scholar logo with link to Google Scholar
. (1988). L’effet trompe-l’oeil dans l’art et la psychanalyse. Paris: Dunod.Google Scholar logo with link to Google Scholar
Martínez Fabregat, Silvia. (2016). Irony as a Visual Argument. In Epistemology, Knowledge and the Impact of Interaction, Juan Redmond, Olga Pombo Martins and Ángel Nepomuceno Fernández (eds.). Cham: Springer, pp. 297–307. Google Scholar logo with link to Google Scholar
Pliny the Elder. (1952) [77–79 A.D.] Works. Cambridge, MA: Harvard University Press.Google Scholar logo with link to Google Scholar
Scharf, Aaron. (1974). Art and Photography. Harmondsworth: Penguin.Google Scholar logo with link to Google Scholar
Serraller, Francisco Calvo. (1999). El Bodegón Español. Bilbao: Museo de Bellas Artes de Bilbao.Google Scholar logo with link to Google Scholar
Staiti, Paul J. (1992). Illusionism, Trompe l’Oeil and the Peril of Viewership. In William M. Harnett, Doreen Bolger, Marc Simpson and John Wilmerding (eds.). Fort Worth, Amon Carter Museum, New York, Metropolitan Museum of Art, New York: Harry N. Abrams, Inc., pp. 31–48.Google Scholar logo with link to Google Scholar
Stoichita, Victor I. (2011). O Efeito Pigmaleão. Para uma Antropologia Histórica dos Simulacros. Lisbon: KKYM.Google Scholar logo with link to Google Scholar
Williams, Raymond. (1999 [1980]). Advertising: The Magic System. In The Cultural Studies Reader, 2nd Edition, Simon During (ed.). London and New York: Routledge, pp. 410–423.Google Scholar logo with link to Google Scholar
Woodbury, Walter E. (1897). Photographic Amusements. Including a Description of a Number of Novel Effects Obtainable with the Camera. New York: Scovill and Adams. Link: [URL]
Mobile Menu Logo with link to supplementary files background Layer 1 prag Twitter_Logo_Blue