In:What makes a Figure: Rethinking figurativity
Edited by Herbert L. Colston
[Figurative Thought and Language 19] 2025
► pp. v–vi
Published online: 28 October 2025
https://doi.org/10.1075/ftl.19.toc
https://doi.org/10.1075/ftl.19.toc
Table of contents
Introduction: What makes a Figure?
1
Herbert L. Colston
Section I.Embodiments entwined
13Chapter 1.The big figurative picture: What’s in a domain?
14
Herbert L. Colston
Chapter 2.Re-thinking embodiment in figuration: Lived experience or cognitive mechanism?
40
Dorothea Horst
Section II.Figurativity and multimodality
65Chapter 3.Sources of incongruity in advertising
66
Mª Sandra Peña-Cervel
Chapter 4.Multimodal meaning-making in opera: Metaphors at the intersection of text, music, and images in Wagner’s Lohengrin
98
Stamatia Gerothanasi
Nina Julich-Warpakowski
Paula Pérez-Sobrino
Section III.Figurative contiguities
125Chapter 5.Oxymoron and its interplay with metaphor and irony
126
John Barnden
Chapter 6.Metonymy typologies revisited: Adding the interaction and integration of metonymies into the picture
160
Mario Brdar
Rita Brdar-Szabó
Chapter 7.How many metaphors can metaphor afford? An embodied view of metaphorical meaning
194
Anna Piata
Aristea-Maria Metaxa
Section IV.Irony
Constructions and comprehensions 221Chapter 8.What makes a verbal irony? On the development of a psycholinguistic irony comprehension task
222
Sergio Duarte
Maity Siqueira
Chapter 9.Understanding ironic echoing
248
Francisco José Ruiz de Mendoza Ibáñez
Inés Lozano Palacio
Chapter 10.Irony, intersubjectivity and construal: The case of a Greek Twitter construction about the other
271
Sophia Kefalidou
Chapter 11.Verbal irony: Duality subjected to evaluation
305
Angeliki Athanasiadou
Index
