In:What makes a Figure: Rethinking figurativity
Edited by Herbert L. Colston
[Figurative Thought and Language 19] 2025
► pp. 66–97
Chapter 3Sources of incongruity in advertising
Published online: 28 October 2025
https://doi.org/10.1075/ftl.19.03pen
https://doi.org/10.1075/ftl.19.03pen
Abstract
The role of conceptual metaphor and metonymy in advertising has been investigated in depth, especially in
multimodal approaches (Forceville, 1996, 2008; Pérez-Sobrino, 2017). However, other forms of figurative
thinking have not received as much attention and the cognitive processes involved in their production and
interpretation have been mostly disregarded. This is noticeably the case of hyperbole (mainly verbal hyperbole) and
more specially of irony, paradox and oxymoron, which have been largely ignored. The present chapter, which ensues from
recent research on cognitive modeling within the framework of Cognitive Linguistics, contributes to examining the key
role played by these forms of figurative language in advertising by focusing on the incongruity that emerges from the
discrepancy between an imaginary scenario and a real-world situation, between a pretended-agreement-scenario and an
observable situation, and between two or more seemingly contradictory predications/concepts. Special emphasis is made
on the nature of the emotional impact that arises from this incongruity and on the combination of different figurative
uses and modes (here termed multi-operational convergence in multimodal communication) as effective tools used to
broaden the range of meaning implications. Multimodality is key to constructing meaning. For instance, in Chapter 5 (Gerothanasi, Julich-Warpakowski, & Pérez-Sobrino, this volume),
opera is regarded as a multimodal piece of art whose meaning is the product of the combination of the verbal, music,
and visual modes. It is also observed in the present chapter that, in application of the Principle of Relevance, the
greater processing cost involved in the construal of advertisements is offset by extra cognitive effects (Sperber & Wilson, 1995).
Keywords: hyperbole, irony, paradox, oxymoron, inconsistency, emotional impact, publicity
Article outline
- 1.Introduction
- 2.A brief overview of research on hyperbole, paradox, oxymoron, and irony
- 2.1Hyperbole: Uses, functions, and intentions
- 2.2Towards an integrated account of irony
- 2.3Paradox and oxymoron: The role of contrast
- 2.4Denotational and attitudinal figures
- 3.Hyperbole in advertising
- 3.1An analysis of hyperbole based on metaphor in advertising
- 3.2Simile and hyperbolic effects
- 3.3Metonymy, imaginary scenarios, and contrast
- 4.Irony in advertising
- 5.Paradox and oxymoron in advertising
- 6.Conclusion
Acknowledgements Notes References
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