In:Figurativity and Human Ecology
Edited by Alexandra Bagasheva, Bozhil Hristov and Nelly Tincheva
[Figurative Thought and Language 17] 2022
► pp. 63–84
Metaphor meets narrative
Audiovisual meaning-making as embodied artistic production
Published online: 10 November 2022
https://doi.org/10.1075/ftl.17.03hor
https://doi.org/10.1075/ftl.17.03hor
Abstract
Prevalent cognitive readings of narrative in film
have generally described it as a causal-logical re-organization of
audiovisually represented agents, actions and spaces that is achieved through
mental processing. Suggesting that such a perspective fundamentally
disregards the media mode of perception that distinguishes
film-viewing from other media experiences, the chapter proposes an
alternative view. It presents an analysis of a TV news feature in
order to demonstrate that metaphor and film share a coupling of two
distinct realms of experience that provides the grounds for a
fictional world and a narrative to emerge. The chapter concludes with an
understanding of narrative as a dynamic embodied process of “narrativizing” instead of a
product being reconstructed from given representations.
Keywords: narrative, metaphor, embodied experience, meaning-making, mediality
Article outline
- 1.Narrative and metaphor: Intertwining meaning-making principles in film
- 2.Filmic storytelling and understanding: As easy as it is?
- 3.Coupled realms of experience: How film and metaphor create fictional worlds
- 4.A feeling of standstill and a story of a controversial (trading)
project
- 4.1A feeling of complete standstill
- 4.2The flotation of Deutsche Bahn in terms of a stopped train
- 4.3Being shunted aside by controversies
- 5.Narrativizing as embodied process: Creating stories from and through felt experience
Notes Audiovisual sources References
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Cited by (1)
Cited by one other publication
Ladewig, Silva H. & Dorothea Horst
2024. Media as processes of doing and perceiving. In Media as Procedures of Communication [Pragmatics & Beyond New Series, 348], ► pp. 158 ff.
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