In:Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 427–431
Index
Published online: 16 October 2018
https://doi.org/10.1075/fillm.9.index
https://doi.org/10.1075/fillm.9.index
2
- 24 62–63, 68
- 9/1158, 60–62, 65–66, 324
A
- AASSee See Association of Adaptation Studies
- Academy Award166, 167
- Adiga, Aravind167
- Afropolitan 185–186
- Akad, Lüfti O.203
- Al-Bassam, Sulayman104, 125–130, 132–139
- Aladdin 216–218
- American Dream, the81, 253
- Americanah 186
- Americanization90, 183, 215, 249
- An African City 175, 179–194
- Andrew, J. Dudley1, 5–7, 246, 257, 277, 288
- Angel 177, 229, 237–242
- Anonymous 92
- anthology film381
- appropriation6, 9, 15, 90, 103, 105, 129, 130–132, 135, 143, 151, 156, 161, 172, 175–176, 214, 217, 229–242, 279, 302, 347, 400, 412, 418, 423
- Arab Spring 418–419
- Arabian Nights 176, 211–226
- Arbor, The 13, 91, 99–101
- Arnold, Andrea87, 91, 96–97, 99–101
- Arslan, Savaş197, 201
- Artaud, Antonin322, 416–418, 420–425
- Association of Adaptation Studies1, 197, 257, 259–269
- Atonement 349
- Attenborough, David317
- Attenborough, Richard336
- augmented reality306, 311, 314
- Austen, Jane4, 125
B
- Baccar, Jalila322, 415–420, 423–425
- Barnard, Clio13, 87, 91, 99–101
- Barthes, Roland134
- Batman 58–59, 61
- Baudrillard, Jean104, 145, 149–151, 396
- BBFCSee See British Board of Film Classification
- Bell, Jeffrey177, 232, 238, 242
- Benjamin, Walter145, 329
- Besson, Luc150
- Bhabha, Homi165, 168
- Bhardwaj, Vishal 104–105, 141–156, 161–168, 170–173
- biography7, 15, 99
- biopic92, 93, 94, 95, 97, 99
- Birth of a Nation, The 308
- Bluestone, George1, 88, 262
- Boafo, Maame Yaa179, 183–184
- BoccaccioSee See Decameron
- Bollywood105, 142, 150, 152, 156, 160–164, 166–168, 170, 172
- Bombay Velvet 166
- Booth, Wayne18
- Boozer, Jack338
- Borges, Jorge Luis149
- Bortolotti, Gary5, 183
- branding (place/city)7, 12, 71–72, 74, 76, 78–79, 80–85
- Brecht, Bertolt108, 112, 117, 130, 162, 418
- Bright Star 93
- British Board of Film Classification 272–275, 277, 280, 283
- British New Wave 97–98
- Brontë, Emily91, 96–97
- Brontë, Charlotte96
- Brontë Sisters 94–97
- Brook, Peter125, 420
- Brooks, Cleanth150
- Brooks, Max288, 294
- Brunetti, Ivan33, 47
- Buchanan, Judith 150–151, 260, 269
-
Buffy the Vampire Slayer
177, 229, 236,
241–242
- Buffyverse 176–177, 229–231, 233, 236–237, 241
- Buñuel, Luis177, 231–237, 242, 388
- Burn Notice 72
- Burton, Richard Francis217, 222, 226
- Bushnell, Candace180
- Byron, Gordon Lord 91–92
C
- Campion, Jane93
- Cannes222, 305, 307–308, 359
- Cardwell, Sarah171, 261
- Cartmell, Deborah197, 246, 257, 259, 261–262, 264, 269, 344
- Caviezel, Jim 57–59
- censorship7, 146, 167, 222, 257, 271–274, 277, 279, 282–284, 372, 377
- Cervantes, Miguel de384, 386–387
- Chatman, Seymour1, 391, 401
- Chaucer386
- child image 365–369, 371–372, 374, 376–377
- children’s film264, 344, 346, 348, 354, 356, 360
- Christmas Carol, A 287, 289
- Clarke, Alan87, 89, 98–99
- Cock and Bull Story, A 387
- colonialism16,
21–23, 28, 90, 129,
151–152, 155, 165, 168, 170, 191, 211, 213,
218–219, 221,
223–224, 239, 322, 325, 329,
400–405, 411
- British Empire87, 211, 218
- national nostalgia13, 87–90, 94–95, 97–98, 100
- neo-colonialism233
- neo-imperialism409See also
- Come Dine with Me 198, 205
- Conrad, Joseph328, 329, 333
- Heart of Darkness328
- Secret Agent, The321, 323–330, 332–334, 336, 338–340
- narrative constructivism18
- Coppola, Francis Ford162, 166, 388
- Corrigan, Timothy261, 263–264
- Creative Cities Network101
- Crush 116–117, 119
- CSI 12, 72–79, 84
D
- Dahmer, Jeffrey 81–83, 85
- Dällenbach, Lucien343
- Dante AlighieriSee See Inferno
- Darkly Dreaming Dexter 71, 79, 83
- Darwinianism15, 171
- data mining12, 57, 60, 62, 64, 66
- Davies, Andrew261, 265
- Day of the Dead 237–238, 240–241
- de Sade, Marquis222, 257, 272
- Decameron, The 222, 381, 383, 385–386
- Deleuze Gilles7, 142–143, 148, 151
- Della Coletta, Cristina 125–127, 130–131, 183–184, 191
- Derrida, Jacques104, 154–156, 223, 248, 405
- Dexter 12, 71–85
- dialogism4, 15, 161
- Diary of a Wimpy Kid 346–347
- Dicecco, Nico6, 246, 284
- Dickens, Charles91, 92, 287
- Diderot, Denis 385–386, 395
- Director’s Opera 107–108, 110, 112
- disability7, 257, 287–302, 333–334, 336, 340, 368
- dislocation166, 185, 322, 399, 402–403, 405, 412
- Disney 81–82, 85, 216, 287
- distanciation 131–133, 135
- diziler 198, 204–205, 207
- Doctor Strange 213
- Don Giovanni 103–105, 109–110, 113–122See See #UncleJohn
- Don Juan116
- Don Quixote 386–387
- double consciousness250
- Dracula 200–201, 290
- Du Bois, W.E.B.250
- du Maurier, Daphne288, 295
- Dunbar, Andrea13, 89, 98–100
E
- Eat, Pray, Love 212, 214–215, 217
- Ebert, Roger 352–353
- Eco, Umberto148
- Eidsvik, Charles344
- Ella Enchanted 345
- Elliott, Kamilla2, 164–165, 261, 263, 266–267, 296–297, 299
- Emma 4, 125
- Engels, Friedrich279
- heritage film13, 87–91, 94–98
- ethics
- of adaptation and translation2, 377
- of transculturation7, 175–177, 229–232, 237, 242
- of authoring historical fiction11, 16–17, 18, 20, 26, 29
- of surveillance and AI 62–63, 68
- Ethnography16, 22, 29
- Eurocentrism 222–223, 252, 417, 418
- Europeanization90
- Exterminating Angel 177, 231–237, 239, 242
F
- Facebook120, 189
- fidelity2, 5–6, 12, 31, 103, 109, 114–115, 119–121, 142, 163, 176–177, 183, 199, 207, 212–217, 222–226, 245–255, 271, 276–278, 280–281, 291, 300, 321–322, 324, 338, 344, 346, 360, 388, 394
- Fish Tank 97–99
- Fish, Stanley115
- FIVARS (Festival of International Virtual and Augmented Reality Stories)314
- foreignization369, 372
- Forrest Gump 287
- Forster, E.M.262
- Forster, Marc288
- Foucault, Michel267
- Free Cinema 97–98
- Fresh Off the Boat 177, 245–247, 249, 253–255
G
- Gadamer, Hans-Georg104, 126–128, 130–131, 139, 191
- Galland, Antoine215, 217
- Gandhi, Indira167
- Gandhi, Mahatma155
- García Canclini, Néstor230
- Garland-Thomson, Rosemarie 290–291, 298
- Genette, Gérard391
- Geraghty, Christine4, 6, 246, 255, 262–264, 267, 283, 344, 349, 360
- Gershman, Michael177, 232–235, 237, 242
- Gil Blas 382, 385
- Gilliam, Terry 386–387
- globalization151, 163, 170, 180, 188, 212, 215, 225–226
- glocalization103, 104, 151–152, 230
-
Godfather, The
162, 166
- “Godfather”147
- Goodley, Dan 296–299
- Goodman, Nelson107
- Google189, 311–312
- Gothic97, 383, 402, 404–405
- graphic novel47, 234
- Greenberg, Drew Z. 232–235, 237, 242
- Grierson, John98
- Guattari, Félix7, 142–143, 148, 151, 157
- Gulf War, The138, 216
- Gunga Din 218–220
H
- Haider 141, 145–148, 154–155, 159, 163
- Hampton, Christopher324, 326, 328–329, 331–333, 339
- Hardy, Thomas262
- Harris, Shane12, 57–61, 65–66
- Harry Potter214, 266, 345, 350, 374
- Has, Wojciech322, 381–396
- Hastings, Reed359
- Head On 322, 399–400, 405–413
- heritage film13, 87–101
- Hermansson, Casie6, 215, 246, 255, 322
- hermeneutics 103–104, 125–128, 130–132, 135, 139
- Hewison, Robert87, 100
- Higson, Andrew 94–95, 100
- Hindi film105, 148, 159, 161, 165–166, 168–170
- historiography1, 7, 15–16, 18, 20–22, 26–30, 32–33, 98
- Hitchcock, Alfred330
- Sabotage324, 326, 328–330, 332–333, 339
- Holderness, Graham129, 132, 137, 139, 260
- Hollywood12, 60, 66, 72, 160, 162, 167, 176, 211,
230–231, 239
- formulas58, 287
- commercialism64, 88
- influence on Bollywood162
- Orientalism 213–221, 223
- “poverty row” studios198
- rival for Turkish productions 201–204
- studio system202
- Huang, Eddie177, 245–255
- Hutcheon, Linda215
- and Michael Hutcheon 103–104, 107–123, 258
- Narcissistic Narrative343, 345
- “On the Origin of Adaptations”5, 183
- Poetics of Postmodernism, A 17–18, 21
- Theory of Adaptation, A1, 6, 15, 29, 64, 79, 104, 107, 125, 127, 130, 161, 162–163, 171, 262–263, 267, 281, 290, 306, 312, 318, 321, 375, 376, 417–418, 423
- hyperreal104, 144, 146, 149–151, 156, 422
- hypertext104, 141, 143, 151, 177, 258
- hypotext7, 103–105, 141, 143, 147, 151–152, 175–177, 258
I
- Indigenization (in adaptation)105, 163, 165, 417–418, 423–425
- Inferno, The 257, 271–272, 275–282, 284
- intercultural159, 161–162, 184, 187, 371
- intertextuality 1–5, 12, 15, 19, 105, 130, 161, 172, 185, 215, 229, 230, 231, 233–234, 238, 242, 288, 289–294, 296, 302, 329, 338, 345, 376, 417, 423
- Ivany, Joel110, 116–121
J
- Jacques the Fatalist 385–386, 395
- Jaïbi, Fadhel322, 415–420, 423–425
- James, Henry384
- Jameson, Fredric90, 100, 104, 146
- Jane Eyre 219
- Jess-Cooke, Carolyn153, 161
- Journal of Adaptation in Film and Performance 1, 197, 265
- Joyce, James92
- Joys of Yiddish, The 146
K
- Karagöz 200–202, 207
- Khatib, Lina184, 203
- Kingsley, Ben 212–213
- Kipling, Rudyard191, 211, 219
- Kokkinos, Ana 399–400, 405–409, 412–413
- Korda, Zoltan216, 218, 220
- Kunnas, Mauri365, 367, 369–370, 374
- Kurosawa, Akira145, 149–150
L
- Lady Jay183
- Lanier, Douglas104, 142–143, 150, 155, 260–261
- Leitch, Thomas 1–3, 183, 197, 214–215, 246, 261–264, 267, 275, 288, 297, 401
- Lemony Snicket’s A Series of Unfortunate Events 348, 352
- Lewis, C.S.347
- LGBTQ298, 307
- License Raj, the 168–170
- Lindsay, Jeff71, 80
- Lindsay, Joan400, 404
- Lion, the Witch and the Wardrobe, The 347
- Literature/Film Association197, 261, 267
- Literature/Film Quarterly 1, 88, 197, 264
- Loaded 400, 406
- Lord of the Rings 214, 266
- Lost 59, 67, 233
- Lost in La Mancha 387
- Luhrmann, Baz121
- Lynch, David90
M
- MacCabe, Colin2, 223, 225
- Magical Realism235
- Maltese Falcon, The 74
- Manuscript Found in Saragossa 388
- Maqbool 105, 141, 144–145, 147, 150, 152–153, 155, 159–166, 168, 171–172
- Marvel Studios213
- Marx, Karl279
- McCallum, Robyn350, 360, 370, 376
- McFarlane, Brian5, 109, 246, 261
- Meikle, Kyle6, 268
- Méliès, Georges216
- memoir16, 31, 177, 214–216; , 245–255; See also autobiography
- Merchant-Ivory93
- Merleau-Ponty, Maurice384
- meta-adaptation176, 348–349, 356–357, 360, 387, 390, 394
- metafiction322, 343–360
- metafilm344, 347, 352–356, 360, 386–387
- metareference2, 344
- Mexploitation177, 231, 237–242
- Miami Vice 12, 72–79, 84
- migration23, 175,
184–185, 188, 193
- as adaptation156
- Minority Report 12, 58
- model-minority245, 246, 251–254
- Modernism20
- Mozart, Wolfgang Amadeus103, 109–110, 113–114, 116–121, 406
- MPAA (Motion Picture Association of America)305
- Mumbai Fables 166
- Murray, Simone2, 6, 88–89, 199–200, 264
- Muslim Socials105, 161, 163–164
N
- narrative prosthesis 289–292, 295–298, 301–303
- Nehru, Jawaharlal168
- Netflix 348–349, 352, 356–359
- Neverending Story, The 346
- New Wave
- British 97–98
- Australian400
- Newell, Mike212
- Nietzsche, Frederick334
- Night of the Living Dead 302
- Nightmare on Elm Street, A 290
- Nightmare on Elm Street 2: Freddy’s Revenge, A 290
- Nikolajeva, Maria344
- Nolan, Jonathan12, 57–58, 61, 65, 67, 321
- Nolan, Christopher12, 58, 61
- nostalgia146See also
- nostalgia film 90–91, 100
O
- Office, The 183
- Oittinen, Rita 365–369, 372
- Olivier, Laurence165
- Omkara 141, 145, 147–148, 152–153, 155, 159, 163
- Orientalism176, 211–214, 216–217, 222, 225–226, 252
- Orientalism See See Said, Edward
- OscarsSee See Academy Award
P
- package film381
- Palace of a Thousand and One Nights, The 216
- Pasolini, Pier Paolo176, 211–212, 217, 222–226, 257, 271–284, 381, 386–387
- pastiche32, 90, 104, 146–147, 207
- Person of Interest 12, 57–68, 321
- Picnic at Hanging Rock 322, 399–405, 411–413
- picturebook345, 365–372
- post-colonialism7, 21, 87, 90, 151–152, 153, 156, 161–163, 167–168, 211–213, 217–219, 252
- postmodernism18, 21, 90, 142, 146, 161–162, 267, 383
- Potocki, Jan 381–383, 385–392, 394–396
- Powell, Michael216, 218
- Prince of Persia 212, 214–217
- Princess Bride, The 346
- Prisoner, The 59
R
- Raengo, Alessandra262
- Raw, Laurence176, 197
- Rawlins, John176, 211, 217, 219–221, 223, 225–226
- Ray, Robert B.5
- reaspora184
- Regietheater, regioper See Director’s Theater
- Rhys, Jean219
- Richard III: An Arab Tragedy 104, 125–130, 132–139
- Ricoeur, Paul 131–132
- Rita, Sue and Bob Too! 89, 98–99
- Robinson Crusoe 219, 375
- Roditi, Edouard 198–199
- Rosten, Leo 145–146
- Rowling, J.K.92
- Rushdie, Salman92, 167, 169
S
- Snowden, Edward 64–65
- Sabotage 324, 326, 328–330, 332–333, 339
- Said, Edward211, 213–216, 225, 252
- Salo, or the 120 Days of Sodom 222, 257, 271–284
- Sanay, Ricai203
- Sanders, Julie2, 103, 231, 233, 262–263, 302
- Saragossa Manuscript, The 322, 381–396
- Satanic Verses, The 169–170
- Scorsese, Martin60, 388
- Second World WarSee See World War II
- Secret Agent, The (film, 1996)324, 326, 328, 329, 331
- Selasi, Taiye185, 192–193
- Selfish Giant, The (film, 2013)91, 101
- Selfish Giant, The (1888)101
- Series of Unfortunate Events, A322, 343–360
- Sex and the City 176, 179–194, 212, 214–217
- Shahrazad218, 220, 222–225
- Shakespeare7, 93,
103–105, 113, 114, 121, 126, 129, 133,
134–135, 139,
141–156,
159–172, 231, 233,
259–260
- Comedy of Errors, The165
- Merchant of Venice165
- Tempest, The 163
- Shavit, Zohar 367–368
- Sherry, Jamie263, 269, 329
- Shree 420 169
- simulacra, simulacrum104, 149, 151, 156, 384, 387
- Sinbad 217–218
- sitcom, genre191
- social realism13, 87–101, 166–168
- Sontag, Susan 421–422
- South by Southwest305, 314–315
- Spiderwick Chronicles, The345, 347
- Spielberg, Steven12, 58
- Spillane, Micky 198–199
- Stam, Robert2, 4, 15, 109, 159, 161, 197, 215, 246, 262, 263, 282, 291, 344, 347, 384
- Star Trek 266, 311
- Star Wars 146, 204
- Sterne, Laurence91, 386–387
- Sundance305, 308, 314
T
- Tcherniakov, Dmitri109, 116–118, 120–121
- Theater of Cruelty322, 415–425
- Thief of Baghdad, The 216, 218
- To Walk Invisible 87, 94–95, 97
- Todorov, Tzvetan384
- Toury, Gideon367
- Transcoding15, 28–29
- “transladaptation”118
- Translation1, 110,
116–118, 128, 129, 130, 133, 134, 138, 146,
150–151, 169, 176, 198,
199–200, 206,
215–217,
220–224, 259,
321–322,
365–377, 383
- as adaptation6, 34, 104, 119, 141, 150–151, 166, 176, 199–200, 214, 215, 218–222, 287, 299, 306, 321–322, 347, 365–377, 385, 390, 391
- Truffaut, François330, 333
- Tsiolkas, Christos400, 406–407
- Twitter41, 120, 189
U
- Ugly Betty 198, 206
- #UncleJohn 103–105, 110, 116–122
- UNESCO City of Film101
V
- Venice Film Festival275, 305, 307, 309
- Verdi, Giuseppe110, 114
- Vimeo 283–284, 308
- Violence(s) 322, 415–425
- virtual reality258, 305–306, 311–312
- Voigts-Virchow, Eckart159, 261, 267, 343, 348, 395
W
- Wagner, Geoffrey 276–277
- Wagner, Richard 111–112
- Wainwright, Sally87, 95
- Walking Dead, The 295
- Waugh, Patricia343, 345
- Weir, Peter399, 401–405, 411–413
- Welsh, James M.246
- Wenders, Wim387
- Werktreue 108, 111, 114–115, 119–121
- Whedon, Joss 229–231, 234
- Whelehan, Imelda172, 197, 246, 257, 259, 261–262, 263, 264, 269, 344
- White Tiger, The 167–168
- Wide Sargasso Sea 219
- Wikipedia32, 41, 51, 54, 233
- Wilde, Oscar 91–92, 101
- Winterbottom, Michael387
- Woolf, Virginia17
- World War II 111–112, 129, 197–198, 218, 219, 271
- World War Z 288, 294–295, 301–302
- Wuthering Heights (film, 2011)87, 91, 96–97, 99, 101
Y
- Yeşilçam 197–198, 200–207
- YouTube1, 120, 179, 193–194, 283–284, 308, 332
Z
- Zumurrud 222–225
