In:Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 381–398
Chapter 22Stories ad infinitum
Embedded narratives and challenges in adapting The Saragossa Manuscript
Published online: 16 October 2018
https://doi.org/10.1075/fillm.9.23nea
https://doi.org/10.1075/fillm.9.23nea
Article outline
- Embedded narratives, Matrioshkis, romans à tiroirs: Jan Potocki’s literary system
- Order and chaos
- Human experience
- Illusion and spectacle
- Options for adaptation: A speculative approach
- Division, fragmentation, selection
- Transformation, representation
- Metafilms (or films about films): Illumination
- Jan Potocki’s Manuscript Found in Saragossa: A Labyrinth
- Wojciech Has’ Saragossa Manuscript: Montage and spectacle
- Conclusion
Notes References
References (19)
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Deus est machina. Conditionnements machiniques dans le Manuscrit trouvé à Saragosse de Jean Potocki.” In À l’ombre des Lumières. Littérature et pensée françaises du XIIIè siècle, edited by Trude Kolderup and Svein-Eirik Fauskevag, 111–137. Paris: L’Harmattan.
Coates, Paul. 2002. “Dialectics of Enlightenment: Notes on Wojciech Has’s Saragossa Manuscript.” Comparative Criticism 24: 167–193.
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La place du “Manuscrit trouvé à Saragosse” dans l’œuvre cinématographique de Wojciech Jerzy Has. PhD diss. Université Paris VIII.
