In:Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 107–124
Chapter 6A spectrum of operatic adaptations
Director’s Opera and audience expectations
Published online: 16 October 2018
https://doi.org/10.1075/fillm.9.07hut
https://doi.org/10.1075/fillm.9.07hut
Article outline
- Audience anticipation and the horizon of expectations
- Transladaptation vs. Regieoper: Stage managing audience expectations
References
References (25)
Ashley, Tim. 2013. Review of “Mozart: Don Giovanni” by Dmitri Tcherniakov. The Guardian, 28 November. [URL].
Bennett, Susan. (1990) 1997. Theatre Audiences: A Theory of Production and Reception. 2nd ed. London: Routledge.
Brecht, Bertolt. (1936) 1964. “Alienation Effects in Chinese Acting.” In Brecht on Theater, edited and translated by John Willett, 91–96. New York: Hill and Wang.
Campana, Alessandra. 2012. “Genre and Poetics.” In The Cambridge Companion to Opera Studies, edited by Nicholas Till, 202–224. Cambridge: Cambridge University Press.
Crawford, Trish. 2014. “Against the Grain Theatre Updates Mozart.” The Toronto Star, December 10. [URL].
Douglas, Mary. 1966. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. London: Routledge.
Fish, Stanley E. 1976. “Interpreting the ‘Variorum.’” Critical Inquiry 2 (3): 465–485. [URL].
Goehr, Lydia. 1992. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. New York: Oxford University Press.
Goodman, Nelson. 1968. Languages of Art: An Approach to a Theory of Symbols. Indianapolis, IN: Bobbs-Merrill.
Guccini, Gerardo. 2002. “Directing Opera.” In Opera on Stage, edited by Lorenzo Bianconi and Giorgio Pestelli, translated by Kate Singleton, 125–176. Chicago: University of Chicago Press.
Ivany, Joel. 2014. “
Don Giovanni with a Truly Albertan Twist: #UncleJohn.” Made in Banff, July 25. [URL]; [URL].
Kaptainis, Arthur. 2015. “Opera Review: Mozart’s Don Giovanni Falls Hard under COC’s Heavy Hand and Curtain.” The National Post, January 28. [URL].
McFarlane, Brian. 1996. Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon Press.
Morris, Christopher. 2012. “‘Too Much Music’: The Media of Opera.” In The Cambridge Companion to Opera Studies, edited by Nicholas Till, 95–116. Cambridge: Cambridge University Press.
Ouzounian, Richard. 2015. “Miss Seeing COC’s Don Giovanni at your Peril.” The Toronto Star, January 25. [URL].
Payne, Nicholas. 2005. “Opera in the Marketplace.” In The Cambridge Companion to Twentieth-Century Opera, edited by Mervyn Cooke, 306–320. Cambridge: Cambridge University Press.
Ritchie, Ian. 2014. “#UNCLEJOHN Review.” Opera Going Toronto. [URL].
. 2015. “
Don Giovanni Review.” Opera Going Toronto. [URL].
Robins, Brian. 2013. “Regietheater – The Death of Opera?” Early Music World, January. [URL].
Siwakoti, Aaraksh. 2014. “Opera with a Modern Twist.” The Crag and Canyon, July 29. [URL].
