In:Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 87–102
Chapter 5The post-nostalgia film
Adapting West Yorkshire in British heritage and social realist film
Published online: 16 October 2018
https://doi.org/10.1075/fillm.9.06bro
https://doi.org/10.1075/fillm.9.06bro
Article outline
- A theory of adaptation: Place as text
- Of moors and mansions: The British heritage film industry
- The spaces of British social realism
Notes References
References (23)
Barnard, Clio. 2009. “Buttershaw: Questioning Realist Screen and Verbatim Stage Representations of the Buttershaw Estate, Bradford.” Research Councils UK. [URL].
Bradshaw, Peter. 2011. Review of “Wuthering Heights,” by Andrea Arnold. The Guardian, November 10. [URL].
“Brontë Parsonage Museum – About Us.” n.d. The Brontë Society. [URL].
Collins, Jim. 2010. Bring on the Books for Everybody: How Literary Culture Became Popular Culture. Durham, NC: Duke University Press.
English, James F. and John Frow. 2006. “Literary Authorship and Celebrity Culture.” In A Concise Companion to Contemporary British Fiction, edited by James F. English, 39–57. Malden, MA: Blackwell.
Fullerton, Huw. 2017. “
To Walk Invisible Review: A Well-Acted but Unfocused Tribute to the Brontë Sisters.” Radio Times, March 27. [URL].
Gaiger, Jason. 2009. “Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy.” The British Journal of Aesthetics 49 (1): 43–58.
Gilroy, Paul. 2005. Postcolonial Melancholia. The Wellek Lectures. New York: Columbia University Press.
Grierson, John. 1973. Introduction to Documentary Diary; An Informal History of the British Documentary Film, 1928–1939 by Paul Rotha. London: Secker & Warburg.
Hickling, Alfred. 2010. “Back to Bradford: Andrea Dunbar Remembered on Film.” The Guardian, April 12. [URL].
Higson, Andrew. 1996. Dissolving Views: Key Writings on British Cinema. Rethinking British Cinema. New York: Cassell.
Jameson, Fredric. (1991) 2007. Postmodernism, or, The Cultural Logic of Late Capitalism. London: Verso.
Kaye, Nick. (2000) 2013. Site-Specific Art: Performance, Place and Documentation. London: Routledge.
Kwon, Miwon. 2004. One Place after Another: Site-Specific Art and Locational Identity. Cambridge, MA: MIT Press.
Lay, Samantha. 2002. British Social Realism: From Documentary to Brit-Grit. London: Wallflower Press.
Murray, Simone. 2008. “Materializing Adaptation Theory: The Adaptation Industry.” Literature/Film Quarterly 36 (1): 4–20. [URL].
“Rita, Sue and Bob Too.” 1987. Orion Classics. Press Kit. University of California Berkeley Art Museum & Pacific Film Archive.
Ryan, Maureen. 2017. “TV Review: Sally Wainwright’s ‘To Walk Invisible’ on PBS Masterpiece.” Variety, March 23. [URL].
Cited by (1)
Cited by one other publication
This list is based on CrossRef data as of 8 november 2025. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
