In:Travel Writing and Cultural Transfer
Edited by Petra Broomans and Jeanette den Toonder
[FILLM Studies in Languages and Literatures 20] 2024
► pp. 35–61
Chapter 2Cultural transfer as a performative act in Mary Wollstonecraft’s Letters written during a short residence in
Sweden, Norway and Denmark (1796)
Published online: 1 November 2024
https://doi.org/10.1075/fillm.20.02bro
https://doi.org/10.1075/fillm.20.02bro
Abstract
Mary Wollstonecraft (1759–1797) is well known for her feminist pamphlet A Vindication of the Rights
of Women (1792). Wollstonecraft was also an experienced traveller. She travelled to Portugal, and she lived and
worked in Ireland, London and Paris. Her travel account about her stay in Scandinavia, Letters written during a short
residence in Sweden, Norway and Denmark, was published in 1796.
Her life and works have fascinated many artists, writers and scholars over time, starting with her husband,
the philosopher William Godwin (1756–1836), who published the Memoirs of the Author of ‘The Rights of Woman’
in 1798. More recently, Nigel Leask (2019), Anca-Raluca Radu (2020), Elizabeth Zold (2023), Michael Meyer (2023) and Luisa Simonutti (2024), amongst
others, discussed the Letters in different contexts. I will begin this chapter by giving a brief overview of
the outlines in this remarkable renaissance of ‘Mary Wollstonecraft studies’.
I will continue by positioning Wollstonecraft’s Letters within the genre of travel
writing. In my analysis I will focus on two concepts that determine Wollstonecraft as a traveller-cultural transmitter:
performativity and persona. This chapter demonstrates that the combination of persona (the self) and performativity (as
writer, observer and scholar) with the approach of cultural transfer expands our understanding of the
Letters.
Article outline
- Wollstonecraft’s Letters in the context of the history of travel writing
- Performativity and persona
- Ethnotypes and cultural transfer
- Wollstonecraft on travel writing and travelling
- Wollstonecraft on national characters
- Performativity and persona in practice
- Conclusion
Notes References
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