In:Literature in Contemporary Media Culture: Technology - Subjectivity- Aesthetics
Edited by Sarah J. Paulson and Anders Skare Malvik
[FILLM Studies in Languages and Literatures 2] 2016
► pp. v–vi
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Table of contents
This article is available free of charge.
Published online: 3 February 2016
https://doi.org/10.1075/fillm.2.toc
https://doi.org/10.1075/fillm.2.toc
Table of contents
Series editor’s preface
VII
Acknowledgements
IX
List of contributors
XI
Introduction: Technology – Subjectivity – Aesthetics: Three perspectives on contemporary media culture
1
Anders Skare Malvik
Sarah J. Paulson
Part I.Technology
chapter 1From acoustic trace to information materialized: Archival poetics in Kenneth Goldsmith’s Soliloquy
23
Andrew Peart
chapter 2Reading animated poetry between pragmapeia and prosopopeia
41
Anders Skare Malvik
chapter 3Words with cybernetic senses: Questions of multimodality, programming and liveness in digital poetry
63
Mette-Marie Zacher Sørensen
chapter 4Media ecology in the literal sense: Mark Z. Danielewski’s House of Leaves
79
Knut Ove Eliassen
Part II.Subjectivity
chapter 5
Roman and the mediality of biographical writing
105
Anders Skare Malvik
Kristoffer Jul-Larsen
chapter 6Mediatization, self and literature: Fictionality as a means of self-fashioning in Bret Easton Ellis and (Claus Beck-) Nielsen
129
Stefan Kjerkegaard
chapter 7The literary magazine and the making of a writer: Gunnhild Øyehaug in the space of possibles
149
Sissel Furuseth
Part III.Aesthetics
chapter 8Staging the present: Performativity and performance in Carl Frode Tiller’s Encircling
173
Sarah J. Paulson
chapter 9Refigurations of Walden: Notes on contagious mediation
207
Asbjørn Grønstad
chapter 10Transaesthetic temporalities: Ekphrasis and the poetics of deceleration
223
Asbjørn Grønstad
chapter 11Showing seeing across media: The contemporary novel as visual event
237
Sarah J. Paulson
Index
261
