In:Representing the Exotic and the Familiar: Politics and perception in literature
Edited by Meenakshi Bharat and Madhu Grover
[FILLM Studies in Languages and Literatures 12] 2019
► pp. 227–240
Chapter 15André Brink’s A Dry White Season as film
Foreignization and domestication
Published online: 28 November 2019
https://doi.org/10.1075/fillm.12.15col
https://doi.org/10.1075/fillm.12.15col
Article outline
- Translational approaches: A short overview
- Equivalence theories
- Systemic approaches
- Translation as mediation between cultures: The concepts domestication and
foreignization
- “Skopos”-theory
- Film as a distinctive medium
- A Dry White Season: Skopos, manipulation, domestication and
foreignization
- Skopos
- Translation
- Manipulation, domestication and foreignization
- Mise-en-scène-elements as manipulative, domesticative or as elements of foreignization: A semiotic interpretation within a cinematographic sign system
- The choice of actors
- Acting style
- The novel and the film
- Space as manipulation
- Direct environment
- Superposition and background projection
- Sound
Notes
