Article published In: English Text Construction
Vol. 8:2 (2015) ► pp.194–206
Genesis plural
Jenny Diski’s reconfiguration of God and his Word in Only Human
Published online: 3 December 2015
https://doi.org/10.1075/etc.8.2.03ber
https://doi.org/10.1075/etc.8.2.03ber
This article is devoted to Jenny Diski’s polyphonic rewriting of the biblical myth of Abraham and Sarah in Only Human: A Divine Comedy (2000). It shows how this subversive novel, through its juxtaposition of two competing narrative voices – an unidentified human narrator and God himself –, challenges the omniscience and transcendence usually attributed to God, but also the power of his creative Word, and launches a reflection on storytelling and truth, presenting thereby an “only human” Bible.
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