Article published In: English Text Construction
Vol. 17:1 (2024) ► pp.83–105
More than ‘ignorant bushbaby bullshit’
The racialised metaperspective as mind style in Marlon James’ A Brief History of Seven Killings (2014)
Published online: 18 October 2024
https://doi.org/10.1075/etc.00063.ada
https://doi.org/10.1075/etc.00063.ada
Abstract
According to the social psychologists R. D. Laing, H. Phillipson and A. R. Lee, we human beings are constantly
speculating about the view that others have upon us, thereby forming a metaperspective (Laing, R. D., H. Phillipson & A. R. Lee. 1966. Interpersonal
Perception: A theory and a method of
research. London: Tavistock.). Yet despite the fact that literature is grounded in some of the most fundamental and
general structures of human cognitive experience (Gavins, Joanna and Gerard Steen. 2003. ‘Contextualising
cognitive poetics’, in Cognitive Poetics in
Practice, ed. by Joanna Gavins and Gerard Steen, 1–14. London; New York: Bloomsbury. : 2), proving a
rich seam to mine for metaperspectives, the concept has not yet been explored in a literary context. Accordingly, this paper
adopts an interdisciplinary approach to investigate metaperspectives within fiction for the first time. Introduced is my coinage
of the racialised metaperspective, denoting a sub-type concerned with colour, culture, and/or ethnicity. Taking
as my literary case study Marlon James’ A Brief History of Seven Killings (2014), I demonstrate that the
racialised metaperspective both contributes to the depiction of a specific social milieu within a text, and serves a
characterising function.
Article outline
- 1.Introduction
- 2.Methodology and the metaperspective
- 2.1The metaperspective
- 2.2The racialised metaperspective
- 2.2.1The racialised metaperspective: Related concepts
- 3.Metaperspectives in Montego Bay
- 3.1A brief history of A Brief History
- 3.2The racialised metaperspective: Nosey neighbours
- 3.3The racialised metaperspective: Misogynistic men
- 4.Conclusions and future prospects
- Notes
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