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Article published In: English Text Construction
Vol. 13:1 (2020) ► pp.1–21

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“Bluebeard” versus black British women’s writing

Criminal-authors, reader-detectives, and deadly plots in Helen Oyeyemi’s Mr. Fox

 | KU Leuven
Published online: 24 July 2020
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https://doi.org/10.1075/etc.00032.san
Abstract
. 2011. Mr. Fox. New York: Riverhead Books.Google Scholar logo with link to Google Scholar novel Mr. Fox artfully remasters the “Bluebeard” fairytale and its many variants and rewritings, such as Jane Eyre and Rebecca. It is also the first novel in which Oyeyemi does not overtly address blackness or racial identity. However, the present article argues that Mr. Fox is concerned with the status of all women writers, including women writers of colour. With Mr. Fox, Oyeyemi echoes the assertiveness and inquisitiveness of Bluebeard’s last wife, whose disobedient questioning of Bluebeard’s canonical authority leads her to discover, denounce, and warn other women about his murderous nature. A tale of the deception and manipulation inherent in storytelling, Mr. Fox allows for its narrative foul play to be exposed on the condition that its literary victims turn into detective-readers and decipher the hidden clues left behind by the novel’s criminal-authors. This article puts the love triangle between author St. John Fox, muse Mary, and wife Daphne under investigation by associating reading and writing motifs with detective fiction. Oyeyemi’s ménage à trois can thus be exposed as an anthropomorphic metaphor for the power struggle between the patriarchal literary canon, established feminist literature, and up-and-coming (black British) women writers, incarnated respectively by Mr. Fox, Mary Foxe, and Daphne Fox.
Article outline
  • 1.St. John, Mary, Daphne: Ménage à trois
  • 2.St. John, Mary, Daphne: Folie à deux
  • 3.Mr. Fox as Bluebeard Gothic
  • 4.Conclusion: From detective-as-reader to detective-as-writer
  • Acknowledgements
  • Notes
  • References
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