In:The Ethics of Literary Communication: Genuineness, directness, indirectness
Edited by Roger D. Sell, Adam Borch and Inna Lindgren
[Dialogue Studies 19] 2013
► pp. v–viii
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Published online: 25 September 2013
https://doi.org/10.1075/ds.19.toc
https://doi.org/10.1075/ds.19.toc
Table of contents
Acknowledgementsix
Contributors
Chapter 1. Introduction
Chapter 2. Herbert’s considerateness: A communicational assessment
Chapter 3. “Not my readers but the readers of their own selves”: Literature as communication with the self in Proust’s À la recherche du temps perdu
Chapter 4. Intersubjective positioning and community-making: E. E. Cummings’s Preface to his Collected Poems 1923–1958
Chapter 5. Genuine and distorted communication in autobiographical writing: E. M. Forster’s “West Hackhurst” and its contexts
Chapter 6. Women and the public sphere: Pope’s addressivity through The Dunciad
Chapter 7. Kipling, his narrator, and public interest
Chapter 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer’s The Penitent
Chapter 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot
Chapter 10. Metacommunication as ritual: Contemporary Romanian poetry
Chapter 11. Terminal aposiopesis and sublime communication: Shakespeare’s Sonnet 126 and Keats’s “To Autumn”
Chapter 12. The utopian horizon of communication: Ernst Bloch’s Traces and Johann-Peter Hebel’s Treasure Chest
Chapter 13. When philosophy must become literature: Søren Kierkegaard’s concept of indirect communication
Chapter 14. An aesthetics of indirection in novels and letters: Balzac’s communication with Evelina Hanska
Chapter 15. Letters from a (post-)troubled city: Epistolary communication in Ciaran Carson’s The Pen Friend
Index
