In:Crises We Live By: A transdisciplinary study of crisis and its metaphors in their cultural context
Edited by Irene Leonardis
[Cognitive Linguistic Studies in Cultural Contexts 20] 2026
► pp. 178–199
Metaphors of ambiguity, uncertainty, and crisis in Early Greek poetry
Published online: 5 February 2026
https://doi.org/10.1075/clscc.20.08hor
https://doi.org/10.1075/clscc.20.08hor
Abstract
Greek mythology and Early Greek history were full of crises, including familial and civic strife or
war. This is reflected in our extant sources of Archaic Greek literature, where crises are recurring and dominant
themes. Though the events and effects of war and strife can be narrated directly, uncertainty and crisis are also
abstract concepts: as such, within the theoretical framework of conceptual metaphor theory (CMT), they can also be
expected to be conceived of and expressed through metaphors. This paper focuses on two source domains of varying
specificity and detail that are employed in Early Greek poetry to conceptualise critical situations concerning
physical imbalance and the sea/seafaring, and discusses different instantiations and
allegorical scenarios of the conceptual metaphors uncertainty is unbalance and danger is the
sea.
Article outline
- 1.Introduction
- 2.Metaphors of uncertainty and ‘crisis’ in Archaic Greek
- 2.1uncertainty is physical imbalance
- 2.2Maritime imagery: danger is a storm and crisis is distress at sea
- 2.3Extended maritime metaphors: The sea as an allegory
- 2.4Further examples and elaborations of maritime imagery in Aeschylus
- 3.Conclusion
Notes References
References (38)
Chantraine, P. (1968–1980). Dictionnaire
étymologique de la langue
grecque. 4 vols. Éditions Klincksieck.
Horn, F. (2021). “On
a Razor’s Edge” (Il. 10.173): Iliadic Images of Imbalance and
Uncertainty. Greek, Roman, and Byzantine
Studies, 61(4), 446–455.
Keith, A. L. (1914). Simile
and Metaphor in Greek Poetry from Homer to Aeschylus. The Collegiate Pr.
Lakoff, G., & Turner, M. (1989). More
than Cool Reason: A Field Guide to Poetic Metaphor. University of Chicago Pr.
Lakoff, G. (1993). The
Contemporary Theory of Metaphor. In A. Ortony (Ed.), Metaphor
and Thought. Second
edition (pp. 202–251). Cambridge University Pr.
Lindenlauf, A. (2003). The
Sea as a Place of No Return in Ancient Greece. World
Archaeology, 35(3), 416–433.
Mielke, H. (1934). Die
Bildersprache des
Aischylos. Diss. Breslau.
Most, G. W. (2006–2007). Hesiod
I: Theogony, Works and Days, Testimonia; II: The Shield, Catalogue of
Women, Other Fragments. Harvard University Pr.
Page, D. L. (1955). Sappho
and Alcaeus: An Introduction to the Study of Ancient Lesbian Poetry. Clarendon Pr.
Race, W. H. (1997). Pindar
I: Olympian Odes, Pythian Odes. II: Nemean Odes, Isthmian
Odes, Fragments. 2 vols. Harvard University Pr.
Raeburn, D. & Thomas, O. (2011). The
Agamemnon of Aeschylus. A Commentary for
Students. Oxford University P.
Scott, W. C. (1966). Wind
Imagery in the Oresteia. Transactions and Proceedings of the American
Philological
Association, 97, 459–471.
Sider, D. (2020). Simonides:
Epigrams and Elegies. Edited with Introduction, Translation, and
Commentary. Oxford University Pr.
Snell, B., & Maehler, H. (1997). Pindari
Carmina cum fragmentis. Pars I: Epinicia. 8th
edition. Teubner.
