In:An Ecology of the Russian Avant-Garde Picturebook:
Sara Pankenier Weld
[Children’s Literature, Culture, and Cognition 9] 2018
► pp. v–vi
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Published online: 14 February 2018
https://doi.org/10.1075/clcc.9.toc
https://doi.org/10.1075/clcc.9.toc
Table of contents
Table of figures
vii
Acknowledgements
xiii
Introduction: A natural history of the Russian avant-garde picturebook
1
Part IEx nihilo nihil fit: The evolution of the Russian picturebook
Chapter 1Precursors of the avant-garde picturebook
31
Chapter 2Origins of the revolutionary picturebook
49
Chapter 3Aesthetic renewal from the primitivist periphery
61
Part IIUnnatural selection: Censorship and ideology
Chapter 4Dual audience and double vision: Aesopian depths and hidden subtexts
79
Chapter 5The unspoken and the unspeakable: Political allegory in picturebooks
93
Chapter 6Revolutionary rhetoric and the semiotics of size
115
Part IIIAdaptations: Re-orienting the picturebook
Chapter 7Early Soviet images of America in picturebooks
133
Chapter 8The infantilization of thought and theory in books for children
149
Chapter 9Authorial appearances in picturebooks
163
Part IVA question of survival: Facing limitations
Chapter 10Metatextual exploits in writings for children
183
Chapter 11The obliteration of the avant-garde aesthetic: The beginning of the end
195
Chapter 12The extinction of the Russian avant-garde picturebook
211
Bibliography
219
Subject index
