In:Geopolitics and Activism in Children’s and Young Adult Literature
Edited by Giuliana Fenech and Justyna Deszcz-Tryhubczak
[Children’s Literature, Culture, and Cognition 18] 2026
► pp. 41–61
Chapter 3Children’s agency in/through Canadian children’s
literature
This content is being prepared for publication; it may be subject to changes.
Representations of children in literature for children
have always reflected the roles that children are seen to have in
their local contexts. From the late twentieth century, in Canadian
children’s literature, many children have been depicted as political
and social actors with agency of their own whose actions can lead to
positive change, whether within their own family, amongst their
friends, at their schools, or within society more widely. This
chapter considers how Canadian children’s literature has
increasingly depicted children as having agency in their own lives.
It will explore this increase in represented agency from multiple
perspectives, from the invitation to agential reading made in
postmodern picturebooks like Mélanie Watt’s Chester (2007) to the trans/queer
agencies of Kai Cheng Thom’s From the Stars in the Sky to the Fish
in the Sea (2017) and the
networked resistance to bullying shown in Susin Nielsen’s We Are All
Made of Molecules (2015).
The chapter also considers how Indigenous children’s books encourage
readers to become geopolitical agents through its consideration of
Cherie Dimaline’s The Marrow Thieves (2017), which not only encourages readers’
privileging of multiple perspectives and “coming to” stories but
also centers an anticolonial Indigenous (geo)politics for our
times.
Article outline
- Agential children in/and literature
- “Canadian” children’s literature
- Activating readers’ agency with postmodern picturebook Chester
- Trans/queer agencies in From the Stars in the Sky to the Fish in the Sea
- From individualist to collectivist agencies in We Are All Made of Molecules
- Indigenous agencies in The Marrow Thieves
- Conclusion
Notes References
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