In:A Comparative Literary History of Modern Slavery: The Atlantic world and beyond
Edited by Karen-Margrethe Simonsen, Madeleine Dobie and Mads Anders Baggesgaard
[Comparative History of Literatures in European Languages XXXVII] 2025
► pp. v–viii
Published online: 29 April 2025
https://doi.org/10.1075/chlel.xxxvii.toc
https://doi.org/10.1075/chlel.xxxvii.toc
Table of contents
Chapter 1.Introduction
1
Karen-Margrethe Simonsen
Part One.Counter-Memories and memories of resistance
Chapter 2.“Some slave is rotting in this manorial lake”: Fictions of memory in Derek Walcott and Édouard Glissant
24
Marco Doudin
Chapter 3.Transforming the colonial scene of writing: Erna Brodber’s Nothing’s Mat
40
Mina Karavanta
Chapter 4.Commemorating slavery during apartheid: The hidden transcripts of the Cape Klopse carnival
54
Anne Marieke van der Wal
Chapter 5.Gothic tropes and displacements of slave rebellion in Matthew G. Lewis’s
Journal of a West India Proprietor (1834) 70
Journal of a West India Proprietor (1834) 70
Stephanie M. Volder
Chapter 6.The Memorial ACTe in Guadeloupe: Whitening the dark memory of slavery?
88
Stephanie Mulot
Part Two.The body as material archive
Chapter 7.Bio-graphies in the broad sense: Narrating the lives and genomes of the enslaved
112
Sarah Abel
Gísli Pálsson
Chapter 8.Looking at black bodies in pain
130
Anne Scacchi
Chapter 9.Performing the neurotic: Memory and black subjectivity in Rivers Solomon’s
An Unkindness of Ghosts
148
Noni Carter
Part Three.Fictionality as history writing
Chapter 10.Reimagining slavery from a twenty-first-century perspective: Yaa Gyasi’s Homegoing (2016) and Colson Whitehead’s The Underground Railroad
(2016)
168
Isabel Kalous
Chapter 11.Contemporary Scandinavian colonial-historical fiction: Slavery and exceptional whiteness
188
Lill-Ann Körber
Chapter 12.The confluence of fiction, historical memory and oral history: The crises of identity and traumatic memories in Ama: A Story of the Atlantic Slave
Trade
214
Emmanuel Saboro
Ruth Abeduwah Quansah
Chapter 13.Cinematic slavery: A genealogy of film from 1903 to 2020
229
Steven W. Thomas
Part Four.The cultural bricolage of history
Interdisciplinary perspectivesChapter 14.Carrying memory and making meaning: Black identity and the slave past
254
Wendy Wilson-Fall
Chapter 15.Contradicting histories, memories, fictions: A bricolage of slavery in the early-modern French Caribbean
270
Domna C. Stanton
Chapter 16.The cultural memory of Roma slavery in Europe:
Aferim! (2015)
295
Tatiana Petrovich Njegosh
Part Five.Authorship
Authenticity and ambiguity of voiceChapter 17.“From Mary’s own lips”: Orality, transcription, and editing in The History of Mary Prince
314
Raquel Kennon
Chapter 18.Self-expression by black Antillean women: Disempowering self-censorship and remembering history
330
Roseline Armange
Chapter 19.Creating a new abolitionist literature for children: Lydia Maria Child’s
The Juvenile Miscellany (1826–1834) between domesticity and racial
hierarchies
349
Serena Mocci
Part Six.Creative approaches to the memorialization of slavery
Chapter 20.Hair and body fashion identity narratives in The Return of the Slaves
exhibition 368
exhibition 368
Osuanyi Quaicoo Essel
Chapter 21.Filling the blanks in history
379
Fabienne Kanor
Chapter 22.A people made of mud: An archaeological tale of enslavement at beef jerky plantations, Southern Brazil
392
Lino J. Zabala
Elis Meza
Volume 2.Biographical descriptions
409
Name index
