In:A Comparative Literary History of Modern Slavery: The Atlantic world and beyond
Edited by Karen-Margrethe Simonsen, Madeleine Dobie and Mads Anders Baggesgaard
[Comparative History of Literatures in European Languages XXXVII] 2025
► pp. 314–329
Chapter 17“From Mary’s own lips”
Orality, transcription, and editing in The History of Mary Prince
Published online: 29 April 2025
https://doi.org/10.1075/chlel.37.17ken
https://doi.org/10.1075/chlel.37.17ken
Abstract
This chapter explores the complex layers of editing and mediation embedded in the abolitionist
project of converting Prince’s storytelling into The History of Mary Prince, a West Indian Slave, Related by
Herself. I re-examine the tripartite editorial relationship between Pringle (editor), Moodie
(transcriber), and Prince (narrator) as a salient example of nineteenth century editorial practice to expose the
tensions between its antislavery aims and the purported accuracy of Prince’s “history.” Does Prince own her story? Is
the text a work of collaboration, distortion, or appropriation? I interpret the editorial project and read closely
scenes that demonstrate how Prince manages to break free from Pringle’s intensive editing and Moodie’s excision to
reveal her distinctive voice that readers can, indeed, hear.
Keywords: Mary Prince, authorship, mediation, voice, nineteenth-century slave narratives
Article outline
- Repetitions and prolixities
- Textual alterations: Thomas Pringle and Mary Prince
- Resemblance: This is not Mary Prince
- Digital afterlives of Mary Prince
Notes References
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