In:A Comparative History of the Literary Draft in Europe
Edited by Olga Beloborodova and Dirk Van Hulle
[Comparative History of Literatures in European Languages XXXV] 2024
► pp. 487–495
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2.3.3Architecture
The culture of building
Available under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) 4.0 license.
For any use beyond this license, please contact the publisher at rights@benjamins.nl.
Published online: 8 November 2024
https://doi.org/10.1075/chlel.xxxv.34sch
https://doi.org/10.1075/chlel.xxxv.34sch
Abstract
This chapter addresses architecture as a cultural and visual medium, in which the design process is
typically hidden in office archives and the multiple media of design genesis. In modernist architecture, the architect was seen as
a visionary genius and a semblance of “purity” was integral to understanding a building’s design. This stands in contrast to how
buildings have historically come to be: it neglects the many actors and elements that “construct” the final project, from
materials available to local building habits and from contractors to codes and regulations. Revisiting the design process from the
perspective of genetic criticism allows a review of the multiple paths that are brought together in a final, working drawing from
which the contractor can begin to build. This chapter addresses the pre-construction design phase from initial sketch to final
plans in order to reveal how different media intervene in the thought process, and how building cultures express themselves in the
result.
Article outline
- Introduction
- Engaging with new realities: Labrouste and the Paris reading room
- Symbolising a changing profession: Otto Wagner and the Postbank
- Balancing ideals and reality: O. M. Ungers’ Quadratherstrasse
- Visual and material archives: Tracing developments beyond the verbal
- Archives
Note References
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Kracauer, Siegfried. 1995. The
Mass Ornament. Weimar Essays, trans. by Thomas Y. Levin. Cambridge, MA: Harvard University Press.
Ungers, Oswald Mathias. 1980. “Architecture’s
Right to an Autonomous Language.” In The
Presence of the Past, ed. by Paolo Portoghesi, 319–323. New York: Academy Editions.
