In:A Comparative History of the Literary Draft in Europe
Edited by Olga Beloborodova and Dirk Van Hulle
[Comparative History of Literatures in European Languages XXXV] 2024
► pp. 320–333
Get fulltext
1.4.4Kleine Prosa
The poetics of the draft in prose sketches, prose poems, flash fiction and related small forms
Available under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) 4.0 license.
For any use beyond this license, please contact the publisher at rights@benjamins.nl.
Published online: 8 November 2024
https://doi.org/10.1075/chlel.xxxv.22got
https://doi.org/10.1075/chlel.xxxv.22got
Abstract
This chapter explores the poetics of the draft in the transgeneric field of modern small prose forms from
the aphoristic “fragments” of the Romantic period, through the prose sketches and prose poems of the nineteenth century, to
microfiction (flash fiction), emblematic short prose, literary notes (Aufzeichnungen) and digital formats in the
twentieth and twenty-first centuries. The German notion of Kleine Prosa, which moves beyond the narrow focus on
narrative forms in the English term “short prose”, provides the conceptual framework. The chapter foregrounds German literature
but also considers other European-language literatures in comparative perspective. The point of departure is the overlap between
the poetics of these modernist short forms – which undercut established genre patterns, experiment with innovative modes of
writing and invite reader participation in the construction of meaning – and the history of the draft, note-taking, rewriting in
modern literary practice since the eighteenth century.
Keywords: small forms, fragment, aphorism, essay, prose sketch, prose poem, microfiction, emblem, genre theory, literary modernism
Article outline
- Conceptualising Kleine Prosa
- The poetics of the draft in small prose forms – a tour d’horizon
Note References
References (39)
Adorno, Theodor W. 1991. Notes on
Literature, vol. 1, ed.
by Ralf Tiedemann, trans.
by Shierry Weber Nicholsen. New York: Columbia University Press.
1998. “Der
Essay als Form.” In Gesammelte
Schriften, ed. by Rolf Tiedemann et al., vol. 11: Noten
zur
Literatur, 9–33. Darmstadt: Wissenschaftliche Buchgesellschaft.
Altenberg, Peter. 1987. Expeditionen
in den Alltag: Gesammelte Skizzen 1895–1898, ed. by Werner J. Schweiger (Gesammelte
Werke in fünf Bänden, vol.
1). Vienna: Löcker, and Frankfurt am Main: Fischer.
. 1997. “Selbstbiographie.” In Auswahl
aus seinen Büchern, ed. by Karl Kraus, 58–64. Frankfurt am Main: Insel.
Althaus, Thomas (ed.). 2018. Darstellungsoptik:
Bild-Erfassung und Bilderfülle in der Prosa des 19.
Jahrhunderts. Bielefeld: Aisthesis.
Althaus, Thomas, Wolfgang Bunzel, and Dirk Göttsche (eds). 2007. Kleine
Prosa: Theorie und Geschichte eines Textfeldes im Literatursystem der
Moderne. Tübingen: Niemeyer.
Botha, Marc. 2016. “Microfiction.” In The
Cambridge Companion to the English Short Story, ed.
by Ann-Marie Einhaus, 201–220. Cambridge: Cambridge University Press.
Bunzel, Wolfgang. 2005. Das
deutschsprachige Prosagedicht: Theorie und Geschichte einer literarischen Gattung der
Moderne. Tübingen: Niemeyer.
Gamper, Michael, and Ruth Mayer (eds). 2017. Kurz
& Knapp: Zur Mediengeschichte kleiner Formen vom 17. Jahrhundert bis zur
Gegenwart. Bielefeld: transcript.
. 2012. “Challenging
Time(s): Memory, Politics, and the Philosophy of Time in Jean Paul’s Quintus
Fixlein.” In (Re-)Writing the
Radical: Enlightenment, Revolution and Cultural Transfer in 1790s Germany, Britain and
France, ed. by Maike Oergel, 219–238. Berlin, Boston: de Gruyter.
. 2016a. “Epistemology,
Poetics and Time in Modernist Short Prose around
1900.” In Time in German Literature and
Culture, 1900–2015: Between Acceleration and Slowness, ed.
by Anne Fuchs and Jonathan J. Long, 71–92. Basingstoke: Palgrave Macmillan.
. 2016c. “Zeitpoetik
in Kleiner Prosa der Gegenwart.” In Critical
Time in Modern German Literature and Culture, ed. by Dirk Göttsche, 249–270. Oxford, Bern: Peter Lang.
. 2018. “‘Zeitbilder’
zwischen Kleiner Prosa und Zeitroman: Zur Modellierung zeitgeschichtlichen Erzählens im 19.
Jahrhundert.” In Darstellungsoptik:
Bild-Erfassung und Bilderfülle in der Prosa des 19. Jahrhunderts, ed.
by Thomas Althaus, 247–266. Bielefeld: Aisthesis.
Hui, Andrew. 2019. A
Theory of the Aphorism: From Confucius to Twitter. Princeton and Oxford: Princeton University Press.
. 1979. Against
Nature. A New Translation of “A Rebours” by Robert Baldick
[1959]. Harmondsworth: Penguin.
Kafka, Franz. 1994. Gesammelte
Werke in zwölf
Bänden, vol. 1: Ein Landarzt
und andere Drucke zu Lebzeiten, ed. by Hans-Gerd Koch. Frankfurt am Main: Fischer.
. 2015. Metamorphosis
and Other Stories, trans. and with an Introduction
by Michael Hofmann. [London:] Penguin.
Koselleck, Reinhart. 1979. Vergangene
Zukunft: Zur Semantik geschichtlicher Zeiten. Frankfurt am Main: Suhrkamp.
Lauster, Martina. 2007. Sketches
of the Nineteenth Century: European Journalism and its “Physiologies”,
1830–50. Basingstoke: Palgrave Macmillan.
McBride, Patrizia. 2017. “Reading
the Visible: Else Lasker-Schüler’s Early Prose Texts and the Small
Form.” Modern Language
Notes 132 (3): 625–638.
Meimberg, Florian. 2011. Auf
die Länge kommt es an: Tiny Tales: Sehr kurze Geschichten. Frankfurt am Main: Fischer.
Musil, Robert. 1978. Gesammelte
Werke, vol. 7: Kleine Prosa.
Aphorismen. Autobiographisches, ed. by Adolf Frisé. Reinbek near Hamburg: Rowohlt.
Polgar, Alfred. 2005. Irrlicht:
Kleine Schriften, vol. 3, ed.
by Marcel Reich-Ranicki in
collaboration with Ulrich Weinzierl. Reinbek near Hamburg: Rowohlt.
Roberts, Michèle. 2013. “Introduction.” In Deborah Levy, Black
Vodka, vii–viii. High Wycombe: And Other Stories.
Šaponjic-Jovanovic, Evelina. 2018. “Horacio
Quiroga and Charles Baudelaire as Precursors of Contemporary Flash
Fiction.” Journal of Comparative Literature and
Aesthetics 41 (1–2): 78–88.
Sayer, Walle. 2012. Von
der Beschaffenheit des Staunens: Miniaturen, Notate und ein
Panoptikum. Tübingen: Klöpfer & Meyer.
Spicker, Friedemann, and Jürgen Wilbert (eds). 2015. Größe
im Kleinen: Der Aphorismus und seine
Nachbarn. Bochum: Universitätsverlag Brockmeyer.
Spinnen, Burkhard. 1991. Schriftbilder:
Studien zu einer Geschichte emblematischer
Kurzprosa. Münster: Aschendorff.
Thomas, James, Denise Thomas, and Tom Hazuka (eds). 1992. Flash
Fiction: Very Short Stories. New York, London: W. W. Norton.
