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In:A Comparative History of the Literary Draft in Europe
Edited by Olga Beloborodova and Dirk Van Hulle
[Comparative History of Literatures in European Languages XXXV] 2024
► pp. 288–304

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1.4.2
Drama

How the page becomes a stage

 | Royal Conservatoire Antwerp | Royal Academy of Fine Arts Antwerp
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Available under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) 4.0 license.

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Published online: 8 November 2024
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https://doi.org/10.1075/chlel.xxxv.20cas
Abstract
Theatre is often defined by its ephemerality, its fundamental presence in the here and now. Can we circumvent performance’s immediacy and study theatre through the genetic documents of its creative process? How are drama drafts related to other literary drafts? Can we use the same methodological techniques to study drama and literary drafts? In this chapter, I will first suggest a new definition for drama drafts and discuss the theoretical domain of genetic criticism as an analytical tool. In the second part, I will explain the differences between dramatic and other literary drafts, and connect them to the challenges of genetic criticism as research methodology. In the third and final part, I will propose an alternative genetic research model on the basis of the directing book as drama draft.
Article outline
  • Defining and studying drama drafts
  • Differences between dramatic and literary drafts, and challenges for theatre genetic criticism
  • The directing book as thinking model
  • Conclusion
  • Notes
  • References
References (67)
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