References (65)
References
Auden, W. H. 2015. The Complete Works of W.H. Auden: Prose. Volume 5: 1963–1968, ed. by Edward Mendelson. London: Faber.Google Scholar logo with link to Google Scholar
Beaty, Jerome. 1960. Middlemarch from Notebook to Novel. A Study of George Eliot’s Creative Method. Urbana, IL: University of Illinois Press.Google Scholar logo with link to Google Scholar
Bell, H. I. 1933. “The George Smith Memorial Bequest.” The British Museum Quarterly 8 (2): 79–80. Google Scholar logo with link to Google Scholar
De Biasi, Pierre-Marc. 1996. “What is a Literary Draft? Toward a Functional Typology of Genetic Documentation.” Yale French Studies 89: 26–58. Google Scholar logo with link to Google Scholar
Bowers, Fredson. 1964a. “Some Principles of Scholarly Editions of Nineteenth-Century American Authors.” Studies in Bibliography 17: 223–228.Google Scholar logo with link to Google Scholar
. 1964b. Bibliography and Textual Criticism. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
Brontë, Charlotte. 1980. Jane Eyre, ed. by Margaret Smith, intro. by Juliette Atkinson. Oxford: Oxford University Press.Google Scholar logo with link to Google Scholar
Browning, Robert. 2009. The Poetical Works of Robert Browning volume XV, ed. by Stefan Hawlin, and Michael Meredith. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
Bushell, Sally. 2009. Text as Process: Creative Composition in Wordsworth, Tennyson, and Dickinson. Charlottesville, VA: University of Virginia Press.Google Scholar logo with link to Google Scholar
Butler, Joseph. 1836. Fifteen Sermons Preached at the Rolls Chapel [etc.], intro. R. Cattermole. London: Joseph Rickerby.Google Scholar logo with link to Google Scholar
Butt, John, and Kathleen Tillotson. 1957. Dickens at Work. London: Methuen.Google Scholar logo with link to Google Scholar
Byron, [George Gordon, Baron]. 1980–93. Complete Poetical Works. 7 vols, ed. by Jerome J. McGann and Barry Weller. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
Coleridge, Samuel Taylor. 1956–71. The Collected Letters of Samuel Taylor Coleridge. 6 vols, ed. by Earl Leslie Griggs. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
. 1975. Biographia Literaria, ed. by George Watson. London: Dent.Google Scholar logo with link to Google Scholar
Cross, J. W. 1885. George Eliot’s Life, as Related in her Letters and Journals, Arranged and Edited by her Husband, J. W. Cross. 3 vols. Edinburgh: Blackwood.Google Scholar logo with link to Google Scholar
Dickens, Charles. 2008. Great Expectations, ed. by Margaret Cardwell, intro. by Robert Douglas Fairhurst. Oxford: Oxford University Press. Google Scholar logo with link to Google Scholar
Dooley, Allan C. 1992. Author and Printer in Victorian England. Charlottesville, VA: University Press of Virginia.Google Scholar logo with link to Google Scholar
Eliot, George. 1954–1978. The George Eliot Letters. 9 vols, ed. by Gordon S. Haight. New Haven, CT: Yale University Press.Google Scholar logo with link to Google Scholar
. 1986. Middlemarch, ed. by David Carroll. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
. 1992. Middlemarch, ed. by David Carroll. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
Gabler, Hans Walter. 1999. “Genetic Texts – Genetic Editions – Genetic Criticism or, Towards Discoursing the Genetics of Writing.” In Problems of Editing, ed. by Christa Jansohn, 59–78. Tübingen: Niemeyer. Google Scholar logo with link to Google Scholar
. 2018. “The Draft Manuscript as Material Foundation for Genetic Editing and Genetic Criticism.” In Text Genetics in Literary Modernism and Other Essays, 209–220. Cambridge: Cambridge University Press. Google Scholar logo with link to Google Scholar
Gaskell, Elizabeth. 2009. The Life of Charlotte Bronte, ed. by Angus Easson. Oxford: Oxford University Press. Google Scholar logo with link to Google Scholar
Gaskell, Philip. 1972. A New Introduction to Bibliography. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
. 1999. From Writer to Reader: Studies in Editorial Method. Winchester: St Paul’s Bibliographies.Google Scholar logo with link to Google Scholar
Greg, W. W. 1966. “The Rationale of Copy-Text.” In The Collected Papers of Sir Walter W. Greg, ed. by J. C. Maxwell, 374–391. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
Hardy, Thomas. 1982–95. The Complete Poetical Works of Thomas Hardy. 5 vols, ed. by Samuel Hynes. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
. 1978–2012. The Collected Letters of Thomas Hardy. 8 vols, ed. by Richard Little Purdy and Michael Millgate. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
Hopkins, Gerard Manley. 1990. The Poetical Works of Gerard Manley Hopkins, ed. by Norman H. Mackenzie. Oxford: Oxford University Press.Google Scholar logo with link to Google Scholar
. 2013. The Collected Works of Gerard Manley Hopkins, Correspondence. 2 vols, ed. by R. K. R. Thornton and Catherine Phillips. Oxford: Oxford University Press.Google Scholar logo with link to Google Scholar
Housman, A. E. 1997. The Poems of A.E. Housman, ed. by Archie Burnett. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
Knight, William. 1897. “A Reminiscence of Tennyson.” Blackwood’s Edinburgh Magazine 162: 264–270.Google Scholar logo with link to Google Scholar
Kelliher, Hilton. 1994. “The Kubla Khan Manuscript and its First Collector.” British Library Journal 20 (2): 184–198.Google Scholar logo with link to Google Scholar
Lamb, Charles. 1929. Miscellaneous Essays and Sketches, ed. by William MacDonald, intro. by Robert Lynd. London: J. M. Dent.Google Scholar logo with link to Google Scholar
Leader, Zachary. 1996. Revision and Romantic Authorship. Oxford: Clarendon Press. Google Scholar logo with link to Google Scholar
McGann, Jerome J. 1983. A Critique of Modern Textual Criticism. Chicago: University of Chicago Press.Google Scholar logo with link to Google Scholar
1988. The Beauty of Inflections: Literary Investigations in Historical Method and Theory. Oxford: Oxford University Press.Google Scholar logo with link to Google Scholar
Mahrer, Rudolf. 2017. “La plume après le plomb. Poétique de la réécriture des œuvres déjà publiées.” Genesis 4: 17–38. Google Scholar logo with link to Google Scholar
Millgate, Michael. 1992. Testamentary Acts. Browning, Tennyson, James, Hardy. Oxford: Oxford University Press.Google Scholar logo with link to Google Scholar
Moore, Nancy Goslee. 2011. Shelley’s Visual Imagination. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Mynors, R. A. B. 1963. Catalogue of the Manuscripts of Balliol College Oxford. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
Norrington, A. L. P. 1948. “Say Not the Struggle Nought Availeth.” In Essays Mainly on the Nineteenth Century Presented to Sir Humphrey Milford, 29–41. London: Oxford University Press.Google Scholar logo with link to Google Scholar
Raven, Andrew. 2017. “In the Archives with Lamb, Shelley and D’Israeli: Romantic Attitudes to Literary Manuscripts and Draft Materials.” The Keats-Shelley Review 31 (1): 87–93. Google Scholar logo with link to Google Scholar
Rogers, Neville. 1967. Shelley at Work. A Critical Inquiry. 2nd edn. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
Rossetti, Christina. 1979–90. The Complete Poems of Christina Rossetti: A Variorum Edition. 3 vols, ed. by R. W. Crump. Baton Rouge, LA: Louisiana State University Press.Google Scholar logo with link to Google Scholar
Stillinger, Jack. 1994. Coleridge and Textual Instability: The Multiple Versions of the Major Poems. New York; Oxford: Oxford University Press. Google Scholar logo with link to Google Scholar
Sullivan, Hannah. 2016. “Why do Authors Produce Textual Variation on Purpose? Or, Why Publish a Text That is Still Unfolding?Variants 12–13: 77–103. Google Scholar logo with link to Google Scholar
Sutherland, Kathryn. 2012. “Jane Austen’s Dealings with John Murray and his Firm.” Review of English Studies NS 64: 105–126. Google Scholar logo with link to Google Scholar
Tanselle, G. Thomas. 1975. “Greg on Copy-Text and American Literature.” Studies in Bibliography 28: 167–229.Google Scholar logo with link to Google Scholar
. 1976. “The Editorial Problem of Final Authorial Intention.” Studies in Bibliography 29: 167–211.Google Scholar logo with link to Google Scholar
. 1981. “Recent Editorial Discussion and the Central Questions of Editing.” Studies in Bibliography 34: 23–65.Google Scholar logo with link to Google Scholar
[Tennyson, Hallam.] 1897. Alfred, Lord Tennyson. A Memoir by his Son. 2 vols. London: Macmillan.Google Scholar logo with link to Google Scholar
Tennyson, Alfred Lord. 1987. The Poems of Tennyson. 2nd edn. 2 vols, ed. by Christopher Ricks. London: Longman.Google Scholar logo with link to Google Scholar
. 1987–93. The Tennyson Archive. 31 vols, ed. by Christopher Ricks and Aidan Day. New York: Garland Pub.Google Scholar logo with link to Google Scholar
Thorpe, James. 1972. Principles of Textual Criticism. San Marino, CA: Huntington Library.Google Scholar logo with link to Google Scholar
Tinker, C. B., and H. F. Lowry. 1940. The Poetry of Matthew Arnold: A Commentary. Oxford: Oxford University Press.Google Scholar logo with link to Google Scholar
Valéry, Paul. 1957–60. Œuvres. 2 vols, ed. by Jean Hytier. Paris: Gallimard.Google Scholar logo with link to Google Scholar
Van Hulle, Dirk. 2014. “Modelling a Digital Scholarly Edition for Genetic Criticism: A Rapprochement.” Variants 12–13: 34–56.Google Scholar logo with link to Google Scholar
. 2019. “Towards a Comparative History of the Literary Draft.” Archiv für das Studium der neueren Sprachen und Literaturen 256: 1–17. Google Scholar logo with link to Google Scholar
Wordsworth, William. 1850. The Prelude, or Growth of a Poet’s Mind. London: Edward Moxon.Google Scholar logo with link to Google Scholar
. 1940–9. The Poetical Works of William Wordsworth. 5 vols, ed. by E. de Selincourt and Helen Darbishire. Oxford: Clarendon Press.Google Scholar logo with link to Google Scholar
. 1959. The Prelude or Growth of a Poet’s Mind, ed. by Ernest de Selincourt, rev. by Helen Darbishire. Oxford: Oxford University Press.Google Scholar logo with link to Google Scholar
. 1977a. Home at Grasmere. Part First, Book First of The Recluse, ed. by Beth Darlington. Ithaca, NY: Cornell University Press.Google Scholar logo with link to Google Scholar
. 1977b. The Prelude, 1798–1799, ed. by Stephen Parrish. Ithaca, NY: Cornell University Press.Google Scholar logo with link to Google Scholar
Wordsworth, Jonathan. 1992. “Revision as Making: The Prelude and Its Peers.” The Bucknell Review 36: 85–109.Google Scholar logo with link to Google Scholar
Mobile Menu Logo with link to supplementary files background Layer 1 prag Twitter_Logo_Blue