In:Landscapes of Realism: Rethinking literary realism in comparative perspectives
Edited by Dirk Göttsche, Rosa Mucignat and Robert Weninger
[Comparative History of Literatures in European Languages XXXII] 2021
► pp. 321–335
Cartographic realism in nineteenth-century literature
Published online: 21 April 2021
https://doi.org/10.1075/chlel.xxxii.10eng
https://doi.org/10.1075/chlel.xxxii.10eng
Abstract
This case study seeks to use maps as a ground of comparison of nineteenth-century realist fiction by
posing the question: how did nineteenth-century realist literature itself make use of and think about maps? In
order to do so, it considers maps not only as tools, but also as complex objects. At once material, representational and
discursive, maps unite a number of features that make them an ideal site for a comparative analysis of questions of
representation, truth-value and realism that are central to the literature of the period. The case study identifies three main
roles that maps played in nineteenth-century realist fiction: the first and most basic role concerns readerly orientation; second,
maps served as generators of fiction; and third, maps provided a source for debates about representation itself. Rather than
simply inscribing the fiction in geospace, the accompanying maps raised the very question of the relation between the text, the
map, and their referents and called attention to potential disjunctions between the imaginary fiction and real geospace. I use the
map as a prism to compare a range of nineteenth-century texts and the varying functions and conceptions of realism their
engagement with cartography entails. The literary texts themselves thus appear to find their place along a spectrum from the
mappable to the unmappable, thereby positioning themselves in the midst of the contemporary discussion about the referentiality of
maps and the mappability of literature.
Keywords: cartography, maps, literature, realism, Mark Twain, Thomas Hardy, Robert Louis Stevenson, Fyodor Dostoevsky
Article outline
- 1.Introduction
- 2.Orientations
- 3.Maps as generators of fiction
- 4.Contested representations
- 5.The dark side of the map
- 6.Conclusion
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