In:New Literary Hybrids in the Age of Multimedia Expression: Crossing borders, crossing genres
Edited by Marcel Cornis-Pope
[Comparative History of Literatures in European Languages XXVII] 2014
► pp. v–vii
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Published online: 27 November 2014
https://doi.org/10.1075/chlel.xxvii.toc
https://doi.org/10.1075/chlel.xxvii.toc
Table of contents
General Introduction
Literature and Multimedia through the Latter Half of the Twentieth- and Early Twenty-First Century
Part One. Multimedia Productions in Theoretical and Historical Perspective
A. Theoretical Explorations
Electronic Literature and Modes of Production: Art in the Era of Digital and Digital-Network Paradigm
Methodological Rationale for the Taxonomy of the PO.EX Digital and Digital-Network Paradigm
The Role of Genetic Criticism in the Debates Concerning Literary Creativity
B. Historical Contextualizations
Beckett and Beyond: Ergodic Texts, the Neo-Baroque, and Intermedia Performance as Social Sculpture
A Forerunner of “Cybridity”: The “Tachypanism” of the Italian Futurists
Articulate Flesh: D. H. Lawrence and the Modern Media Ecology
Part Two. Regional and Intercultural Projects
Picking Up the Pieces: History and Memory in European Digital Literature
Postcolonial Co-Ordinary Literature and the Web 2.0/3.0: “Thinking Back” within Transmediatic Knowledge
Agency through Faith: (Re‑)Writing Religious and Gender Identities in the Netherlands
New Literary Hybrids in the Age of Multimedia Expression: The Case of “Post-Colonial” East-Central Europe
Russian and Other Eastern European Literatures on Digital Maps
The Memory of the Holocaust and the New Hyper/Cyber-Textuality
Part Three. Forms and Genres
On Codework: A Phenomenology of an Anti-Genre
“Womping” the Metazone of the Festival Dada: Jason Nelson’s evidence of everything exploding
Nonfiction Comics as a Medium of Remembrance and Mourning and as a Cosmopolitan Genre of Social and Political Engagement
Hybridization of Text and Image: The Case of Photography
Communicating Posthuman Bodies in Contemporary Performing Arts
The Image between Cinema and Performance: Transformations and Interactions
Eastern European Writers’ Online Literary Diaries
Part Four. Readers and Rewriters in Multimedia Environments
Ten Reasons Why I Read Digital Literature
Authors, Readers, and Convergence Culture: Storytelling in the Social Network Era
Author-Reader Interactions in the Age of Hypertextual and Multimedia Communication
The E-Literary Text as an Instrument and a Ride: Novel Forms of Digital Literature and the Expanded Concept of Reading
Tablets and the New Materiality of Reading
De-Scripting through Virtual Typewriters as Reported by Caliban, a Sperker of Ynglish Langbage
Works Cited
Contributors
Index of Names, Titles and Major Topics
