In:A History of Literature in the Caribbean: Volume 3: Cross-Cultural Studies
Edited by A. James Arnold
[Comparative History of Literatures in European Languages XII] 1997
► pp. v–xi
Get fulltext
This article is available free of charge.
Published online: 15 August 1997
https://doi.org/10.1075/chlel.xii.toc
https://doi.org/10.1075/chlel.xii.toc
Table of contents
Preliminary Approaches
Islands, Enclaves, Continua: Notes Toward a Comparative History of Caribbean Creole Literatures29
The Cross-Cultural Unity of Caribbean Literature: Toward a Centripetal Vision57
Literary Creoleness and Chaos Theory
Resistance and Globalization in Caribbean Discourse: Antonio Benítez-Rojo and Edouard Glissant87
Problematics of Literary Historiography
History is Bunk! Recovering the Meaning of Independence in Venezuela, Colombia, and Curaçao: A Cross-Cultural Image of Manuel Piar161
Literature and Popular Culture
Carnival and Carnivalization
Writers Playin' Mas': Carnival and the Grotesque in the Contemporary Caribbean Novel215
Gender and Identity
Closure and Disclosure of the Caribbean Body: Gabriel García Márquez and Derek Walcott251
Anglophone and Francophone Fiction by Caribbean Women: Redefining ”Female Identity“267
The Caliban Complex
The Cult of Caliban: Collaboration and Revisionism in Contemporary Caribbean Narrative285
Genre and Postcoloniality
Cross-Cultural Currents and Conundrums
Republican Code, Working Conditions, and Cross-Cultural Hybridity in the Literature of Suriname and Cuba375
Index to Names393
