In:Representing Wine – Sensory Perceptions, Communication and Cultures
Rosario Caballero, Ernesto Suárez-Toste and Carita Paradis
[Converging Evidence in Language and Communication Research 21] 2019
► pp. 183–205
Chapter 10Documenting wine in film
Published online: 21 October 2019
https://doi.org/10.1075/celcr.21.c10
https://doi.org/10.1075/celcr.21.c10
Article outline
- 10.1Wine documentaries
- 10.2Singularizing strategies in wine documentaries
- 10.2.1The intrinsic value of wine
- 10.2.2Adding value to wine
- 10.3The form and function of figurative language in documentaries
- 10.3.1Personification
- 10.3.1.1Wine as child of winemaker
- 10.3.1.2Expressiveness
- 10.3.1.3Gender
- 10.3.2Ingredient for a recipe
- 10.3.3Assorted wine metaphors
- 10.3.4Other verbal metaphors
- 10.3.5Other language resources
- 10.3.1Personification
- 10.4Monomodal and multimodal metaphors in documentaries
- 10.4.1Monomodal metaphors in documentaries
- 10.4.2Multimodal metaphors in documentaries
- 10.4.3Montage: Structure as metaphor
- 10.5Summary
Notes
