Surtitling Operas. With Examples of Translations from German into French and Dutch

Dewolf, Linda

doi:10.1075/btl.34.22dew

In:(Multi) Media Translation: Concepts, practices, and research
Edited by Yves Gambier and Henrik Gottlieb
[Benjamins Translation Library 34] 2001
► pp. 179–188

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Surtitling Operas. With Examples of Translations from German into French and Dutch

Linda Dewolf

Published online: 6 September 2001

https://doi.org/10.1075/btl.34.22dew

Cited by (11)

Cited by 11 other publications

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Campbell, Stewart

2023. “Oh for Heaven’s Sake, Do I Need to Explain This Really?” Translation Skopoi in Live Art Song Concerts. Translation Review 116:1 ► pp. 1 ff.

Nolette, Nicole

2022. Surtitling and the new networks of theatre translation in Toronto. Translation Studies 15:3 ► pp. 306 ff.

Abraitienė, Lina & Laura Antanavičiūtė

2020. Text Compression in Surtitles: A Case Study of the OperaLa Traviata. Sustainable Multilingualism 16:1 ► pp. 145 ff.

Rędzioch-Korkuz, Anna

2018. Constraints on Opera Surtitling: Hindrance or Help?. Meta 63:1 ► pp. 216 ff.

Rędzioch-Korkuz, Anna

2021. Canonical texts in the audiovisual context: surtitlingEugene Oneginfor Polish audiences. Perspectives 29:6 ► pp. 849 ff.

Lani, Silja

2017. Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances. Baltic Screen Media Review 5:1 ► pp. 70 ff.

Oncins, Estella

2015. The tyranny of the tool: surtitling live performances. Perspectives 23:1 ► pp. 42 ff.

Orero, Pilar & Anna Matamala

2007. Accessible Opera: Overcoming Linguistic and Sensorial Barriers. Perspectives 15:4 ► pp. 262 ff.

Gambier, Yves

2006. Orientations de la recherche en traduction audiovisuelle. Target. International Journal of Translation Studies 18:2 ► pp. 261 ff.

Virkkunen, Riitta

2004. The Source Text of Opera Surtitles. Meta 49:1 ► pp. 89 ff.

Gottlieb, Henrik

2003. Parameters of translation. Perspectives 11:3 ► pp. 167 ff.

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