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In:A (Re)turn to the Source Text
Edited by Malin Carlström and Richard Pleijel
[Benjamins Translation Library 169] 2026
► pp. 233–234

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Available under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) 4.0 license.

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Published online: 20 February 2026
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https://doi.org/10.1075/btl.169.ti

A

  • ancient texts 199, 218
  • anime 70, 71, 73
  • archival material 144–145
  • assumed translation 38–40, 58
  • audiovisual (AV) text 66, 69, 72
  • auditive mode 69, 71, 78
  • AV (audiovisual) text 66, 69, 72

B

  • Babel: An Arcane HistorySee Kuang, R.F.
  • Bible (the) 6, 16, 117–119, 122–123, 124, 127–135, 171–174, 199–200 ; See also specific titles
  • Bibel 2000 (Swedish) 118, 121, 127, 129, 130–134
  • Bibel 2011 (Norwegian) 192–194
  • Bible translation 116–117, 123, 190
  • Bible translation(s) 123, 171–172, 175
    • digital platforms for 173–174, 194–195
  • Biblical scholarship125
  • Biblia Hebraica Quinta190
  • Biblia Hebraica Stuttgartensia190
  • Book of Mormon 6, 93

C

  • Codex Leningradiensis186
  • compilative translation 23, 66, 68–69, 143, 154, 166, 219
  • conceptual history 118–120
  • conjecture 124, 132
  • constraint 78, 111
  • Contemporary English Version (CEV) 185–187
  • crime fiction (Swedish) 45, 52
  • critical editions 190, 219
  • C.W.K. Gleerup146

D

  • Dead Sea Scrolls 191, 203–204
  • de facto source text 143, 165–166, 200–201, 218–220
  • Digital Bible Library 178–179
  • digital platform173
  • digital transformation174
  • diplomatic edition 206, 218–219
  • discourse (of translators) 118–121, 126, 133–134
  • displacement 201, 211–212
  • distribution process 69–71
  • dubbing69

E

  • eclectic edition205
  • edition (of source text) 4, 17–19, 21, 127, 143
  • English Standard Version 187–189
  • First Enoch 201–202, 203–205
    • indirect translations of 209–210
    • Ethiopic 204–206
    • reconstructed 207–209
  • epitext 36, 49, 175
  • ethics59

F

  • fidelity 76, 79, 82
  • Finnegans Wake21
  • fluidity172
  • footnote 121, 126, 175, 180–182
  • fragment 92–93, 97, 154, 203–204
  • fragmented source texts 97–98

G

  • genealogy4
  • genetic criticism 4, 21, 68 144–145
  • Greek New Testament 186–187, 191

H

  • hypertextual journey181
  • Heretic (film)See Scott, Beck

I

  • ideology 4, 8, 12, 40, 52, 59
  • indirect translation 7, 19, 23, 66–67, 71–72, 92–93, 143–144, 154
    • hidden 153, 158, 209–210
  • imagined original 36–40, 58–59 ; See also imagined source text.
  • imagined source text 38–40
  • imagology 43–44, 59
  • initial text 111, 200, 207
  • interlingual source text 92, 105, 110
  • interpolation 210, 211
  • intersemiotic source text 90–91, 102–103, 110
  • intertextual reference 41, 159
  • intralingual source text 91, 99–100, 105, 110
  • invented source text219

J

  • journalistic translation 88–89
    • source texts in 93–97

L

  • Life.Church 173, 176
  • lingual mode 69, 76, 80, 82
  • localization 66, 68, 70–73, 82

M

  • manuscript 21, 177, 187, 190, 191, 193, 199–201, 203–209, 218
  • Masoretic text (the) 124, 130, 186–188, 190–191
  • medial shift 171–174, 185, 187, 194
  • mediated (mediated) text 66, 70, 83
    • source text 89, 91, 97, 107–110, 143–144
  • metadata 178–79, 183
  • multimedia franchise 70–72, 81
  • multimodal text 23–24, 66–72, 80–84, 102–105 ; See also multimodality
  • multimodal translationSee multimodal text
  • multimodality 24, 66–67
  • multitemporality 119, 134
  • music video 69, 72

N

  • Nestle–Aland editionSee Novum Testamentum Graece
  • New Revised Standard Version Updated Edition 172, 189, 192
  • news translation(s)94; See also newswriting
  • newswriting 88, 98, 100 ; See also news translation(s)
  • Novum Testamentum Graece 126, 172, 187

O

  • original manuscripts 187, 194
  • original text 6, 16–17, 68, 89, 127–128, 131–132

P

  • paratext 36–37, 45, 120–121, 172–176, 194–195
  • pentathlon principle78
  • peritext 36, 40, 48, 49, 175, 195
  • pivot translation66
  • preface 182–183, 188–189, 191–192, 194
  • pseudo–source text 89, 93–95
  • pseudotranslation 23, 36–37, 41–50, 58–59

Q

  • Qumran 191, 203–204
  • quotation 94–96, 97–98, 100, 105, 110

R

  • recension (text–critical)204
  • recreation (of source text) 79, 94–96
  • Reformation (Protestant) 16, 121–122
  • relay translation 92–93, 209
  • retranslation 1–2, 19–20, 23, 91, 126, 133, 208
  • rewriting 2, 94
  • revision 126, 189–190, 219
  • rhizomatic network 66, 67, 84, 134

S

  • semantic faithfulness 78, 80
  • semiotic resource 69, 81, 82, 83
  • singability 76, 78, 80
  • singular translation 144, 153, 166
  • song translation 73, 76–81
  • source culture 37, 38, 39, 40, 43, 59
  • source language 39, 71, 83, 109, 146
  • source–target binary 1–2, 23–24, 36, 66, 68, 89, 134–135
  • Soviet Union (the) 45, 52
  • start text 16, 27, 89–90, 110
  • subtitling 69, 82
  • supporting source text91
  • Svenska Folkbibeln (‘Swedish People’s Bible’) 118, 125, 129, 131

T

  • target audience 70, 147, 154, 219
  • target culture 14–15, 22, 38, 39, 53, 59, 135
  • target language 78, 81, 93, 99, 124, 143
  • target text 12–13, 37, 58–59, 65–66, 89–90, 143, 177, 189
  • teleology 4, 13–15, 21–22
  • temporal order 127–131
  • temporality 119–120, 126–127, 133–135
  • textual criticism 16–17, 19, 124–125, 143, 145, 172, 200
  • textual mode 66, 67, 78, 80
  • textual variance 11, 20, 25, 121–123
  • theme song 74, 75, 78, 80
  • trading cards 70, 75–76, 81, 82
  • translation memory83

U

  • unstable source texts 4, 93–94

V

  • video games 69, 70, 82
  • visual mode69
  • Vulgate (the) 6, 122

W

  • War and PeaceSee Lev Tolstoy.

Y

  • YouVersion 171–172, 173–174, 176–179, 194–195
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