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In:Reassessing Dubbing: Historical approaches and current trends
Edited by Irene Ranzato and Serenella Zanotti
[Benjamins Translation Library 148] 2019
► pp. v–vi

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Published online: 6 August 2019

https://doi.org/10.1075/btl.148.toc

Table of contents

The dubbing revolution 1

Irene Ranzato

Serenella Zanotti

Part I.Historical approaches 15

Chapter 1.Undoing dubbing: Singin’ in the Rain 17

Tessa Dwyer

Chapter 2.When the Thief of Bagdad tried to steal the show: The short-lived dubbing of Hollywood films into Arabic in the 1940s 41

Nolwenn Mingant

Chapter 3.Locked into dubbing: Retracing the origins, establishment and fortune of Italy’s mainstream AVT practice 63

Carla Mereu Keating

Chapter 4.Auteur dubbing: Translation, performance and authorial control in the dubbed versions of Stanley Kubrick’s films 79

Serenella Zanotti

Part II.New trends in dubbing research and practice 102

Chapter 5.Audiovisual translation in the age of digital transformation: Industrial and social implications 103

Frederic Chaume

Chapter 6.Are we all together across languages? An eye tracking study of original and dubbed films 125

Elena Di Giovanni

Pablo Romero-Fresco

Chapter 7.Fandubbing across time and space: From dubbing ‘by fans for fans’ to cyberdubbing 145

Rocío Baños

Chapter 8.To Europe with love: Woody Allen’s liquid society 169

Delia Chiaro

Part III.The linguistics of dubbing 189

Chapter 9.More than words can say: Exploring prosodic variation in dubbing 191

Sofía Sánchez-Mompeán

Chapter 10.Representing orality through questions in original and translated film dialogue 211

Elisa Ghia

Chapter 11.English films vs Italian films: A comparative analysis via the Pavia Corpus of Film Dialogue and the WordSmith Tools 229

Raffaele Zago

Part IV.Identity construction in dubbing 243

Chapter 12.Sleeping with the fishes: Italian Americans in animation 245

Ilaria Parini

Chapter 13.Constructing youth identities in dubbed movies: A view from Italy 263

Debora Ciampi

Index 281