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In:Reassessing Dubbing: Historical approaches and current trends
Edited by Irene Ranzato and Serenella Zanotti
[Benjamins Translation Library 148] 2019
► pp. 169–187

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Chapter 8
To Europe with love

Woody Allen’s liquid society

 | Università di Bologna at Forlì
Published online: 6 August 2019
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https://doi.org/10.1075/btl.148.08chi
Abstract
Between 2008 and 2012, Woody Allen directed three films that have come to be known as his “European trilogy”, namely Vicky Cristina Barcelona (2008), Midnight in Paris (2011) and To Rome with Love (2012). Each storyline involves the temporary relocation of one or more north-American protagonists to the European city in the title, in which, as well as complicated trysts, we find displaced characters who undergo a great deal of culture shock as they clash and merge with the experiences of a foreign locale and, of course, a different language. This chapter will examine the trilogy from the perspective of Allen’s technical recreation of lingua-cultural otherness in his non-American characters in the original version of each film.
Article outline
  • 1.Introduction
  • 2.The polylingual conundrum
    • 2.1“Postcarding”
    • 2.2“Self-dubbing”
    • 2.3The accidental translator
    • 2.4Translanguaging?
  • 3.Concluding remarks
  • Acknowledgements
  • Notes
  • References
  • Websites
  • Filmography
References (26)
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Filmography
Babel. Alejandro González Iñárritu. USA/Messico/Japan. 2006.Google Scholar logo with link to Google Scholar
Manhattan. Woody Allen. USA. 1979.Google Scholar logo with link to Google Scholar
Midnight in Paris. Woody Allen. USA/Spain. 2011.Google Scholar logo with link to Google Scholar
To Rome with Love. Woody Allen. Italy/USA/Spain. 2012.Google Scholar logo with link to Google Scholar
Vicky Cristina Barcelona. Woody Allen. Spain/USA. 2008.Google Scholar logo with link to Google Scholar
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