Die Widerspiegelung der absoluten Identität in Schellings Philosophie der Kunst: Einbildungskraft und Vernunft

Summerell, Orrin F.

doi:10.1075/bsp.32.11sum

In:Schelling: Zwischen Fichte und Hegel/Between Fichte and Hegel
Herausgegeben von Christoph Asmuth, Alfred Denker und Michael Vater
[Bochumer Studien zur Philosophie 32] 2000
► pp. 179–212

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Einbildungskraft und Vernunft

Die Widerspiegelung der absoluten Identität in Schellings Philosophie der Kunst

Orrin F. Summerell

Published online: 21 December 2000

https://doi.org/10.1075/bsp.32.11sum

Cited by (3)

Cited by three other publications

Surman, Jan

2019. Terminology between chemistry and philology: A Polish interdisciplinary debate in 1900?. Centaurus 61:3 ► pp. 232 ff.

Holland, Jocelyn

2017. Schelling and the Art of Balance: Equilibrium in thePhilosophie der Kunst. The Germanic Review: Literature, Culture, Theory 92:2 ► pp. 155 ff.

Galland-Szymkowiak, Mildred

2013. Philosophy and the History of Art. Critical Horizons 14:3 ► pp. 296 ff.

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