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Article published In: Text and Context Revisited Within a Multimodal Framework
Edited by Yves Gambier and Olli Philippe Lautenbacher
[Babel 70:1/2] 2024
► pp. 186–210

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Reconstruing the image of Shan Gui

A multimodal translation from poetry to painting

 | Xi’an International Studies University
 | Xi’an International Studies University
Published online: 19 January 2024
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https://doi.org/10.1075/babel.00380.wan
Abstract
This study aims to investigate the image reconstrual of Shan Gui 山鬼 in the multimodal translation from the poem Shan Gui to three renowned paintings, i.e., Li Gonglin’s 李公麟 (date unknown; 1049–1106), Fu Baoshi’s 傅抱石’s (1945) and Xu Beihong’s 徐悲鸿 (1943), within the framework of social semiotics, and to explore the reason why the image changed through recontextualization. It is found that the image of Shan Gui reconstrued by Li looks like a detached sprite; Fu is a sentimental goddess, while Xu is a mundane human girl. Contextual factors, including scholastic explanations of the poem, the individual orientation of painters, and their media choices, contribute to such image divergence.
Résumé
Notre étude vise à analyser la reconstitution visuelle de Shan Gui lors de la traduction multimodale du poème Shan Gui dans les trois peintures fameuses de Li Gonglin (date exacte inconnue mais du 11ème siècle), de Fu Baoshi (1945) et de Xu Beihong (1943). Cette analyse est menée dans le cadre de la sémiotique sociale. D’autre part, on vise à explorer les raisons pour lesquelles l’image en question change au cours de la recontextualisation. Celle élaborée par Li semble un esprit détaché alors que celle de Fu est comme une déesse sentimentale et celle de Xu un jeune fille bien terre-à-terre. De telles divergences dans les représentations peuvent se justifier par des éléments contextuels comme les explications savantes du poème, les penchants individuels des peintres et leur choix des supports.
Article outline
  • 1.Introduction
  • 2.Social Semiotics: An interpersonal/interactive perspective in SFG and VG
    • 2.1Interpersonal meaning in SFG
    • 2.2Interactive meaning in VG
  • 3.Data collection
  • 4.Image reconstrual of Shan Gui from poetry to painting
    • 4.1Image of Shan Gui in the poem
    • 4.2Images of Shan Gui in three paintings
      • 4.2.1Li’s Shan Gui: A detached sprite
      • 4.2.2Fu’s Shan Gui: A sentimental goddess
      • 4.2.3Xu’s Shan Gui: A mundane girl
  • 5.Contextual consideration
    • 5.1Scholastic explanation
    • 5.2Individual orientation
    • 5.3Media forms
  • 6.Conclusion
  • Notes
  • References
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