In:Language, Vision and Music: Selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, 1999
Edited by Paul Mc Kevitt, Seán Ó Nualláin and Conn Mulvihill
[Advances in Consciousness Research 35] 2002
► pp. vii–x
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Published online: 22 October 2002
https://doi.org/10.1075/aicr.35.toc
https://doi.org/10.1075/aicr.35.toc
Table of contents
Dedicationv
About the Editorsxi
Introduction
Part I: Language & vision
Multimedia integration: A system-theoretic perspective
Visualising lexical prosodic representations for speech applications
A simulated language understanding agent using virtual perception
The Hitchhiker’s Guide to the Galaxy
Affective multimodal interaction with a 3D agent
CHAMELEON: A general platform for performing intellimedia
Machine perception of real-time multimodal natural dialogue
Communicative rhythm in gesture and speech
Signals and meanings of gaze in animated faces
Speech, vision and aphasic communication
Synaesthesia and knowing
What synaesthesia is (and is not)
Synaesthesia is not a psychic anomaly, but a form of non-verbal thinking
Part II: Language & music
Music and language: Metaphor and causation
Expression, content and meaning in language and music: An integrated semiotic analysis
Auditory structuring in explaining dyslexia
A comparative review of priming effects in language and music
The respective roles of conscious- and subconscious processes for interpreting language and music
Aesthetic forms of expression as information delivery units
The lexicon of the Conductor’s face
How do interactive virtual operas shift relationships between music, text and image?
“Let’s Improvise Together”: A testbed for a formalism in language vision and sounds integration
On tonality in Irish traditional music
The relationship between the imitation and recognition of non-verbal rhythms and language comprehension
Rising-falling contours in speech: A metaphor of tension-resolution schemes in European musical traditions? Evidence from regional varieties of Italian
Part III: Creativity
Plenary panel session: What is creativity?
The analogical foundations of creativity in language, culture & the arts: “The Upper Paleolithic to 2100CE”
Creativity in humans, computers, and the rest of God’s creatures: A meditation from within the economic world
The origins of Mexican metaphor in Tarahumara Indian religion
Is creativity algorithmic?
Subject Index
Author Index
