The lexicon of the Conductor’s face

Poggi, Isabella

doi:10.1075/aicr.35.25pog

In:Language, Vision and Music: Selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, 1999
Edited by Paul Mc Kevitt, Seán Ó Nualláin and Conn Mulvihill
[Advances in Consciousness Research 35] 2002
► pp. 271–284

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The lexicon of the Conductor’s face

Isabella Poggi | Università Roma Tre, Italy

Published online: 22 October 2002

https://doi.org/10.1075/aicr.35.25pog

Cited by (14)

Cited by 14 other publications

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De Caro, Mario & Chiara Palazzolo

2026. The ethical model of orchestra conducting: a psychological and philosophical perspective. Philosophical Psychology 39:2 ► pp. 497 ff.

Poggi, Isabella, Francesca D’Errico & Alessandro Ansani

2021. The conductor’s intensity gestures. Psychology of Music 49:6 ► pp. 1478 ff.

Evola, Vito & Joanna Skubisz

2019. Coordinated Collaboration and Nonverbal Social Interactions: A Formal and Functional Analysis of Gaze, Gestures, and Other Body Movements in a Contemporary Dance Improvisation Performance. Journal of Nonverbal Behavior 43:4 ► pp. 451 ff.

Poggi, Isabella & Alessandro Ansani

2018. Proceedings of the 5th International Conference on Movement and Computing, ► pp. 1 ff.

Kawase, Satoshi

2015. Relationships between performers’ daily social skills, social behaviors in ensemble practice, and evaluations of ensemble performance. Musicae Scientiae 19:4 ► pp. 350 ff.

Parton, Katharine

2014. Epistemic stance in orchestral interaction. Social Semiotics 24:4 ► pp. 402 ff.

Veronesi, Daniela

2014. Correction sequences and semiotic resources in ensemble music workshops: the case of Conduction®. Social Semiotics 24:4 ► pp. 468 ff.

Veronesi, Daniela & Sergio Pasquandrea

2014. Doing (things with) sounds: introduction to the special issue. Social Semiotics 24:4 ► pp. 369 ff.

Jensen, Kristoffer & Søren R. Frimodt-Møller

2013. Multimodal Analysis of Piano Performances Portraying Different Emotions. In From Sounds to Music and Emotions [Lecture Notes in Computer Science, 7900], ► pp. 469 ff.

Woody, Robert H. & Gary E. McPherson

2010. Emotion and Motivation in the Lives of Performers. In Handbook of Music and Emotion: Theory, Research, Applications, ► pp. 401 ff.

Reidsma, Dennis, Anton Nijholt & Pieter Bos

2008. Temporal interaction between an artificial orchestra conductor and human musicians. Computers in Entertainment 6:4 ► pp. 1 ff.

WÖllner, Clemens

2008. Which Part of the Conductor's Body Conveys Most Expressive Information? A Spatial Occlusion Approach. Musicae Scientiae 12:2 ► pp. 249 ff.

Luck, Geoff & Petri Toiviainen

2006. Ensemble Musicians’ Synchronization With Conductors’ Gestures: An Automated Feature-Extraction Analysis. Music Perception 24:2 ► pp. 189 ff.

Poggi, Isabella, Filomena Cirella, Antonietta Zollo & Alessia Agostini

2004. The Communicative System of Touch. Alphabet, Lexicon, and Norms of Use. In Gesture-Based Communication in Human-Computer Interaction [Lecture Notes in Computer Science, 2915], ► pp. 77 ff.

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