Chapter 3
Module 2Literature search

Conduct a literature search for one of the following subjects:

a.

Television and fantasy play. Suppose you need to answer the following question for a research project of your own: what do we know about the effects of watching television on young children’s use of their imagination during play?

b.

Canned laughter. Television comedy is often accompanied by a tape of audience laughter. It is hoped that this will affect appreciation of the humor in these shows. But does it work? For this assignment you try to find out what research has been done on this subject.

c.

Understanding a story character’s emotions. While reading a story we often infer the emotional states of the characters. Even when it is not explicitly stated what their feelings are, we do understand their responses, maybe in terms of our own experiences. Now, for this assignment you try to find out what we actually know about this aspect of the reading process.

d.

Film music. Our emotional responses to film are often assumed to be manipulated by the use of music. Sometimes you hear people say a particular scene would not be all that thrilling without the frightening soundtrack. Try to find out what we know about the effects of music on suspense.

e.

Music and cognition. Some believe that classical music affects our cognitive abilities. For this assignment you conduct a literature study to find out what we know about these effects.

f.

The effects of art education. For this assignment you find out what is known about the effect of art education. Concentrate on the visual arts.

Find ten articles on one or more of these subjects, and report the full bibliographic information. Keep in mind the following criteria:

  • The studies pertain to the theme of the assignment (check the abstracts whether they actually do before you hand in your assignment);

  • The studies should be empirical; the findings concern a sample of human beings, and are obtained through methods of qualitative or quantitative methods;

  • The studies that you cite should be the most recent ones available;

  • Choose peer reviewed journals over other types of publications.

a. Television and fantasy play

For this assignment it is best to use the “Advanced” search option in PsycINFO, which allows you to combine the three terms, television, fantasy, and play. At the time of writing this book the combination resulted in 56 hits. It seems a feasible amount of abstracts to work your way through. Let us have a look what we got.

The first is by Schaefer and Harrison (2004) in Psychology and Education. This is not one of the major journals in the social sciences, and it seems doubtful whether your library subscribed to it. Reading through the abstract, it seems that the empirical evidence reviewed is not directly relevant. It is examined what the effects of fantasy play are one real behavior. Coincidentally, the word television is mentioned somewhere, but it does not seem that its effects on fantasy play are examined.

Further down the list of results we run into a publication by Krcmar and Vieira (2005). The abstract does mention the word “fantasy” but not in an entirely different the context. This illustrates that it is necessary to read through all the abstracts one by one and decide whether the publications meet your criteria. You will then find that some do not have an empirical basis (Pizzato, 2003; Schrader, 1992; Adams 1987). Do not include these in your assignment. Others examine the relationship quite differently than you would expect: for instance, what is the role of fantasy in responses to television? Our advice would be to store such abstracts somewhere (preferably in your EndNote file). Maybe they will prove to be useful later, when you write your paper or thesis, and address the research field as a whole (i.e., what types of questions are researchers interested in?), the theoretical approaches to the subject (i.e., what theories and ideas are there about the effects of television on children’s fantasy play?), as well as the relevance of the issue (what consequences do changes in fantasy play have?). But again, you should not include them here in your list.

Many of the articles you will read about are totally irrelevant. Consequently, you may consider refining the scope of your search, for instance using “fantasy play” instead of “fantasy”. In case you did already try that, you will have found out that this yields only ten publications, some of which are still not relevant. Therefore, we suggest you continue using the three terms suggested here. Using the wider scope helps you to discover themes in the available research that may be relevant to your own interest, directly or indirectly. For example, you will discover that some studies concern the effects of television on fears (Valkenburg, 2000Valkenburg, P. M., Cantor, J. & A. L. Peeters (2000) Fright reactions to television: A child survey. Communication Research, 27(1), 82–97.Google Scholar logo with link to Google Scholar; Cantor 1998Cantor, J. (1998) “Mommy. I’m scared”. How TV and movies frighten children and what we can do to protect them. Orlando, FL.: Hartcourt.Google Scholar logo with link to Google Scholar), as well as the effects on the distinction between reality and fantasy. For this assignment, however, we will exclude these from the list.

The results of your search inform you which researchers are important in the field. We see the names of Singer, Cantor, and Valkenburg and Van der Voort turn up a couple of times. These are obviously the researchers you should concentrate on. It may be interesting to examine other publications by these researchers to see whether there is more than the present PsycINFO search yielded. Make a note of such names and use them in other data systems (the library catalogue) and on Internet searches (e.g., via google.scholar.com). Second, your search may have given you ideas about alternative key words you could use (e.g., “imagination,” or “imaginative play” rather than “fantasy play”). For this assignment it is necessary that you do try these alternatives, otherwise you will not be able to list ten articles. In addition, you see that some journals appear more than once in your list. You may want to try a search using the hits from these journals in combination with your key terms. To do this, simply click on the name of the journal, and the hyperlink brings you to a complete list of all the abstracts included in the data system.

This is the list that we would recommend:

French, J. & Pena, S.
(1991) Children’s hero play of the 20th century: Changes resulting from television’s influence, Child Study Journal, 21(2), 79–94.Google Scholar logo with link to Google Scholar
Funk, J. B., Bechtoldt, H., Pasold, T. & Baumgardner, J.
(2004) Violence exposure in real-life, video games, television, movies, and the internet: Is there desensitisation? Journal of Adolescence, 27(1), 23–39.Google Scholar logo with link to Google Scholar
Greenfield, P. M., Yut, E., Land, D.
(1993) The program length commercial: A study of the effects of television/toy tie-ins on imaginative play. In G. L. Berry & J. K. Asamen, (Eds.). Children & television: Images in a changing sociocultural world. (pp. 53–72). Thousand Oaks, CA: Sage.Google Scholar logo with link to Google Scholar
Kline, S.
(1995) The promotion and marketing of toys: Time to rethink the paradox? In A. D. Pellegrini (Ed.). The future of play theory: A multidisciplinary inquiry into the contributions of Brian Sutton-Smith, (pp. 165–185). Albany, NY: State University of New York Press.Google Scholar logo with link to Google Scholar
McIiwraith, R. D., & Schallow, J. R.
(1982) Television viewing and styles of children’s fantasy. Imagination, Cognition and Personality, 2(4), 323–331.Google Scholar logo with link to Google Scholar
Singer, D. G.
(1999) Imaginative play and television: Factors in a child’s development. In J. A. Singer, A. Jefferson & P. Salovey (Eds.). At play in the fields of consciousness: Essays in honor of Jerome L. Singer (pp. 303–326). Mahwah, NJ: Erlbaum.Google Scholar logo with link to Google Scholar
Singer, D. G. and J. L. Singer
(2001) Make-believe: Games and activities for imaginative play: A book for parents, teachers and the young children in their lives. Washington, D.C.: Magination Press.Google Scholar logo with link to Google Scholar
Singer, D. G. and W. Benton
(1989) Caution: Television may be hazardous to a child’s mental health. Journal of Developmental and Behavioral Pediatrics, 10(5), 259–261.Google Scholar logo with link to Google Scholar
Valkenburg, P. M., Vooijs, W. M., Van der Voort, T. & Wiegman, O.
(1992) The influence of television on children’s fantasy styles. A secondary analysis. Imagination, Cognition and Personality, 12(1), 55–67.Google Scholar logo with link to Google Scholar
Van der Voort, T. & Valkenburg, P. M.
(Manual (1995)) Television’s impact on fantasy play: A review of research. Developmental Review 14(1), 227–251.Google Scholar logo with link to Google Scholar

Alternatives

The following publications are alternatives. Some discuss issues related to this assignment. Others are somewhat old and were therefore not included in the list above. Nevertheless, when preparing for a literature study, do make use of such sources. Old does not necessarily mean outdated. Remember, however, that for this assignment we wanted you to locate the most recent publications.

Cantor, J.
(1998) “Mommy. I’m scared”. How TV and movies frighten children and what we can do to protect them. Orlando, FL.: Hartcourt.Google Scholar logo with link to Google Scholar
Cantor, J. and A. I. Nathanson
(1996) Children’s fright reactions to television news. Journal of Communication, 46(4), 139–152.Google Scholar logo with link to Google Scholar
Friedich, C.
(1979) Environmental enhancement of prosocial television content: Effects on interpersonal behavior, imaginative play, and self-regulation in a natural setting. Developmental Psychology, 15(6), 637–646.Google Scholar logo with link to Google Scholar
Greer, D., Potts, R., Wright, J. C. & Huston, A. C.
(1982) The effects of television commercial form and commercial placement on children’s social behavior and attention. Child Development, 53(3), 611–619.Google Scholar logo with link to Google Scholar
Huston, S.
(1981) The effects of TV action and violence on children’s social behavior. Journal of Genetic Psychology, 138(2), 183–191.Google Scholar logo with link to Google Scholar
Peterson, C. C., Peterson, J. L. & Carroll, J.
(1986) Television viewing and imaginative problem solving during preadolescence. Journal of Genetic Psychology, 147(1), 61–67.Google Scholar logo with link to Google Scholar
Shmukler, D.
(1981) A descriptive analysis of television viewing in South African preschoolers and its relationship to their spontaneous play. South African Journal of Psychology, 11(3), 106–110.Google Scholar logo with link to Google Scholar
Singer, D. G.
(1978) Television and imaginative play. Journal of Mental Imagery, 2(1), 145–164.Google Scholar logo with link to Google Scholar
Singer, J. L. & Singer, D. G.
(1976) Can TV stimulate imaginative play? Journal of Communication, 26(3), 74–89.Google Scholar logo with link to Google Scholar
Tower, R. B.
(1979) Differential effects of television programming on preschoolers’ cognition, imagination, and social play. American Journal of Orthopsychiatry, 49(2), 265–281.Google Scholar logo with link to Google Scholar
Valkenburg, P. M., Cantor, J. & A. L. Peeters
(2000) Fright reactions to television: A child survey. Communication Research, 27(1), 82–97.Google Scholar logo with link to Google Scholar
b. Canned laughter

Running a search in PsycINFO for the words “canned laugher” at the time of writing this feedback yielded nine results only. That is too few. On top of that, one of these articles does not even seem to be empirical (Shane 2004). This leaves eight references. Luckily, the list includes articles published in major journals (e.g. the Journal of Personality and Social Psychology). That means that we probably located high quality research. There is a good chance that the researchers have based themselves on other work: so one way to find more than just the eight references listed in PsycINFO is to find the articles on the web, and check out the authors’ bibliographies.

For this assignment, however, you can find all you need in PsycINFO. One way to extend the results is to use different key words. What you could do is look at the abstracts and the key words mentioned in the nine records to see what other terms could be relevant. One is “pre-recorded.” However, you may discover that this does not bring you any further. In the lists of index terms below the abstract you sometimes see “social influence” and “social interaction”. One of the abstracts mentions “social facilitation.” (e.g., Donoghue, et al., 1983Donoghue, E. E., McCarrey, M. W. & Clement, R. (1983) Humour appreciation as a function of canned laughter, a mirthful companion, and field dependence: Facilitation and inhibitory effects. Canadian Journal of Behavioural Science, 15(2), 150–162.Google Scholar logo with link to Google Scholar). It seems that these studies could be relevant: one could argue that the social environment is mimicked by canned laughter, and that the influence of laughter around has on our responses holds for canned laughter as well. Using the term “social facilitation” in combination with “laughter” and “television”, for instance, may result in publications that could help you writing your paper or thesis (e.g., for formulating your hypotheses). Social facilitation research is of course not directly relevant. Therefore, let us keep it in mind but still look a bit further.

The trick here is not to give up too easy. Another is that some of the articles can only be found by exploring the full records. In information for the article by Platow et al (2005)Platow, M. J., Haslam, S. H., Both, A., Chew, I. (2005) “It’s not funny if they’re laughing”: Self-categorization, social influence, and responses to canned laughter. Journal of Experimental Social Psychology, 41(5), 542–550.Google Scholar logo with link to Google Scholar you will find a very useful list of references the authors used for their article. This means (for now) that you do not have to go to the library to copy the article. The list below is supplemented with articles mentioned by Platow et al., but there are other abstracts too that will help you in this way. By reading the titles in Platow et al.s’ record you can often guess what type of article it is, and whether it is relevant for your assignment. Fuller (1977)Fuller, R. (1977) Uses and abuses of canned laughter. In A. J. Chapman & H. C. Foot (Eds.), It’s a funny thing, humour (pp. 395–398). New York: Pergamon Press.Google Scholar logo with link to Google Scholar, for instance, probably presents some empirical work, although you cannot tell directly from the title. He published experimental work elsewhere, so therefore we assume that it is based on empirical research. One way to find out is to check whether there is a record for that publication in PsycINFO itself. For this assignment, make sure that all publications meet the criteria mentioned.

The list shows which researchers are important to the field. Obviously, after reading Chapman’s name thrice, it cannot hurt checking whether other work by her is relevant. Do this by simply clicking on the hyperlinks for her name, and combine the results (in Search History) with terms like “movie” or “humor.”

We hope your list will look like this:

Recommended

Chapman, A. J.
(1973) Funniness of jokes, canned laughter and recall performance. Sociometry, 36(3), 569–578.Google Scholar logo with link to Google Scholar
Cupchik, G. C. & Leventhal, H.
(1974) Consistency between expressive behavior and the elevation of humorous stimuli: The role of sex and self-observation. Journal of Personality and Social Psychology, 30(3), 429–442.Google Scholar logo with link to Google Scholar
Donoghue, E. E., McCarrey, M. W. & Clement, R.
(1983) Humour appreciation as a function of canned laughter, a mirthful companion, and field dependence: Facilitation and inhibitory effects. Canadian Journal of Behavioural Science, 15(2), 150–162.Google Scholar logo with link to Google Scholar
Fuller, R.
(1977) Uses and abuses of canned laughter. In A. J. Chapman & H. C. Foot (Eds.), It’s a funny thing, humour (pp. 395–398). New York: Pergamon Press.Google Scholar logo with link to Google Scholar
Goldstein, J.
(1993) Humor and comedy in mass media. Medienpsychologie, 5(4), 246–256.Google Scholar logo with link to Google Scholar
Gruner, C. R.
(1993) Audience’s response to jokes in speeches with and without recorded laughs. Psychological Reports, 73, 347–350.Google Scholar logo with link to Google Scholar
Leventhal, H., & Mace, W.
(1970) The effect of laughter on evaluation of a slapstick movie. Journal of Personality, 38, 16–30.Google Scholar logo with link to Google Scholar
Nosanchuk, T. A., & Lightstone, J.
(1974) Canned laughter and public and private conformity. Journal of Personality and Social Psychology, 29, 153–156.Google Scholar logo with link to Google Scholar
Platow, M. J., Haslam, S. H., Both, A., Chew, I.
(2005) “It’s not funny if they’re laughing”: Self-categorization, social influence, and responses to canned laughter. Journal of Experimental Social Psychology, 41(5), 542–550.Google Scholar logo with link to Google Scholar
Porterfield, A. L., Mayer, S. F., Dougherty, K. H., Kredich, K. E.
(1988) Private self-consciousness, canned laughter, and responses to humorous stimuli. Journal of Research in Personality, 22(4), 409–423.Google Scholar logo with link to Google Scholar

Alternatives

Listed below are some alternatives. We include only some of Chapman’s work here, to avoid that the list for the assignment is completely dominated by her research. Keep in mind for your own (future) research projects, that it is important not to rely too much on one type of source. Researchers sometimes repeat themselves, publishing the same work in more than one place (for different audiences). Older work and research on social influences is cited below rather than in the list of recommended literature.

Brown, G. E., Dixon, P. A., & Hudson, J. D.
(1982) Effect of peer pressure on imitation of humor response in college students. Psychological Reports, 51, 1111–1117.Google Scholar logo with link to Google Scholar
Chapman, A. J., & Chapman, W. A.
(1974) Responsiveness to humor: Its dependency upon a companion’s humorous smiling and laughter. Journal of Psychology, 55, 245–252.Google Scholar logo with link to Google Scholar
Chapman, A. J.
(1996) Social aspects of humorous laughter. In A. J. Chapman & H. C. Foot (Eds.). Humor and laughter: Theory, research, and applications (pp. 155–185). New Brunswick, NJ: Transaction Publishers.Google Scholar logo with link to Google Scholar
Chapman, A. J. & Chapman, W. A.
(1974) Responsiveness to humor: Its dependency upon a companion’s humorous smiling and laughter. Journal of Psychology, 88(2), 245–252.Google Scholar logo with link to Google Scholar
Chapman, A. J., & Wright, D. S.
(1976) Social enhancement of laughter: An experimental analysis of some companion variables. Journal of Experimental Child Psychology, 21(2), 201–218.Google Scholar logo with link to Google Scholar
Fuller, R. G. C., & Sheehy-Skeffington, A.
(1974) Effects of group laughter on responses to humorous material, a replication and extension. Psychological Reports, 33, 531–534.Google Scholar logo with link to Google Scholar
Levy, S. G. & Fenley, W. F.
(1979) Audience size and likelihood and intensity of response during a humorous movie. Bulletin of the Psychonomic Society, 13(6), 409–412.Google Scholar logo with link to Google Scholar
Martin, G. N., & Gray, C. D.
(1996) The effects of audience laughter on men’s and women’s responses to humor. Journal of Social Psychology, 136, 221–231.Google Scholar logo with link to Google Scholar
Provine, R. R.
(1992) Contagious laughter: Laughter is a sufficient stimulus for laughs and smiles. Bulletin of the Psychonomic Society, 30, 1–4.Google Scholar logo with link to Google Scholar
Smyth, M. M., & Fuller, R. G. C.
(1972) Effects of group laughter on responses to humorous material. Psychological Reports, 30, 132–134.Google Scholar logo with link to Google Scholar
c. Understanding story character’s emotions

One basic requirement for this assignment is patience. Use “story character”, “understanding” and emotion” and you will end up with only six references. Using the terms “character” and “emotions” results in 800 references. In case you had the time, it would be interesting to read through all the titles and the abstracts. But reading through some of the abstracts you will find that only few are relevant to the assignment. What you can do is start with a large group of references and then reduce the results step by step by adding more specific terms (see under “Search History”). Or you could start with a small sample of texts that seem directly relevant, and find the terms that are key to the research field you are interested in.

Use the following key terms: “story character” and “emotion”. At the time of writing this feedback this resulted in 11 references, all to do with children’s responses to stories. In case this age group is irrelevant to your paper or thesis, you have a problem, but for this assignment they are fine, of course. In any event, you can use these abstracts to find synonyms of the terms that you are interested in. For instance, for “characters”, you could look at “protagonist”; “story” you could replace by “narrative”. You could include the term “reading” to avoid that the search results include too much about spoken narratives. One important term is “understanding”. Think what it actually means, understanding a character: maybe “inference” or “infer” is a useful and even a more appropriate term. Also, reading some of the abstracts, you may discover that researchers use different terms, for instance “representation”, or “represent”. For “emotion” consider using “affect” or “feeling.” But you can also use the thesaurus. Type “understanding” and what you find is that PsycINFO suggests “comprehension”. Work systematically. Write down all the options that you think of during your search and try them one by one, making notes of the results and other ideas that appear to you.

When you have found one reference that is on target, you can refine your search (e.g., by concentrating on other work by the same researcher, or using the key terms suggested in the abstract). For example, during one of your searches you may have run into the work of Gernsbacher (1992)Gernsbacher, M. A., Goldsmith, H. H. & Robertson, R. R. Do readers mentally represent characters’ emotional states? Cognition and Emotion, 6(2), 89–111.. You see that the information suggests three key terms: “Emotion content”, “Human Information Storage”, and “Reading”. Maybe it will be helpful to try one or more of these terms in one of your searches.

You will run into articles that discuss very specific aspects. They may not always seem important to the general concepts that you are interested in. But there are exceptions. For instance, research pertaining to readers with some mental disorder can tell you something about how readers normally respond as well (e.g., Rehak et al., 1992Rehak, A., Kaplan, J. A., Weylman, S. T., Kelly, B. (1992) Story processing in right-hemisphere brain-damaged patients. Brain and Language, 42(3), 320–336.Google Scholar logo with link to Google Scholar).

We hope you made absolutely sure that all the abstracts are relevant to the central theme before you handed in your assignment. In some cases the titles may seem pertinent, but reading the abstracts you will discover that the use of the terms is slightly different than you expected. For instance, Bamberg and Reilly (1996) do look at stories, and at character emotions, but their focus is on stories told by children. Also, some titles suggest that you can ignore the publication, but reading the abstract you may discover that the research may still be important (e.g., Camras and Allison, 1985Camras, L. A. & Allison, K. (1985) Children’s understanding of emotional facial expressions and verbal labels. Journal of Nonverbal Behavior, 9(2), 84–94.Google Scholar logo with link to Google Scholar).

Below our own list of recommended readings, we provide some alternatives. For example, Bower et al. (1981)Bower, G. H., Gilligan, S. G. & Monteiro, K. P. (1981) Selectivity of learning caused by affective states. Journal of Experimental Psychology, 110(4), 451–473.Google Scholar logo with link to Google Scholar looks at how the emotional state of readers influences recall of situations that are happy or sad to characters. Indirectly such studies may be relevant to your own research. However, we do not recommend them for this assignment. We list some dissertations that seem important. But since they are often hard to find, we include them under alternatives rather than the list of recommended texts (e.g., Sanchez, 2002Sanchez, R. P. (2002) The role of story structure variables in children’s understanding of the causes of emotion in text. Disseration Abstracts International: Section B: The Sciences and Engineering Vol. 62(11-B) Jun 2002, 5411.Google Scholar logo with link to Google Scholar).

This is the list of studies that we would recommend:

Bourg, T., Stephenson, S.
(1997) Comprehending characters’ emotions: The role of event categories and causal connectivity. P. van den Broek, W. Paul, P. Bauer & T. Bourg (Eds.) Developmental spans in event comprehension and representation: Bridging fictional and actual events (pp. 295–319). Hillsdale, NJ: Erlbaum.Google Scholar logo with link to Google Scholar
De Vega, M., Leon, I. & Diaz, J. M.
(1996) The representation of changing emotions in reading comprehension. Cognition and Emotion, 10(3), 303–321.Google Scholar logo with link to Google Scholar
Gernsbacher, M. A., Goldsmith, H. H. & Robertson, R. R.
Do readers mentally represent characters’ emotional states? Cognition and Emotion, 6(2), 89–111.
Gernsbacher, M. A., Robertson, R. R.
Knowledge activation versus sentence mapping when representing fictional characters’ emotional states. Language and Cognitive Processes, 7(3–4), 353–371.
Gernsbacher, M. A., Hallada, B. M. & Robertson, R. R.
(1998) How automatically do readers infer fictional characters’ emotional states? Scientific Studies of Reading, 2(3) 1998, 271–300.Google Scholar logo with link to Google Scholar
Gygax, P., Garnham, A. & Oakhill, J.
(2004) Inferring characters’ emotional states: Can readers infer specific emotions? Language and Cognitive Processes, 19(5), 613–639.Google Scholar logo with link to Google Scholar
Lagattuta, K. H., Wellman, H. M. & Flavell, J. H.
(1997) Preschoolers’ understanding of the link between thinking and feeling: Cognitive cuing and emotional change. Child Development, 68(6), 1081–1104.Google Scholar logo with link to Google Scholar
Murgatroyd, S. J. & Robinson, E. J.
(1997) Children’s and adult’s attributions of emotion to a wrongdoer: The influence of the onlooker’s reaction. Cognition and Emotion, 11(1), 83–101.Google Scholar logo with link to Google Scholar
Nunner-Winkler, G., Sodian, B.
(1988) Children’s understanding of moral emotions. Child Development, 59(5), 1323–1328.Google Scholar logo with link to Google Scholar
Peng, M., Johnson, C., Pollock, J., Glasspool, R.
(1992) Training young children to acknowledge mixed emotions. Cognition and Emotion, 6(5), 387–401.Google Scholar logo with link to Google Scholar

Alternatives

Not all these works are directly relevant to the subject of this assignment. For instance, a character’s goals may be relevant to their emotions, but it is not quite the same. Therefore we would advise you not to include them in your list.

Bower, G. H., Gilligan, S. G. & Monteiro, K. P.
(1981) Selectivity of learning caused by affective states. Journal of Experimental Psychology, 110(4), 451–473.Google Scholar logo with link to Google Scholar
Camras, L. A. & Allison, K.
(1985) Children’s understanding of emotional facial expressions and verbal labels. Journal of Nonverbal Behavior, 9(2), 84–94.Google Scholar logo with link to Google Scholar
De Rosnay, M., Pons, F., Harris, P. L. & Morrell, J. M. B.
(2004) A lag between understanding false belief and emotion attribution in young children: Relationships with linguistic ability and mothers’ mental-state language, British Journal of Developmental Psychology, 22(2), 197–218.Google Scholar logo with link to Google Scholar
Furuya, K., Takano, K., Ito, R., Ichikawa, N.
(2000) Young children’s understanding of the emotion and expression of picture book characters. Japanese Journal of Developmental Psychology, 11(1), 23–33.Google Scholar logo with link to Google Scholar
Gygax, P., Oakhill, J. & Garnham, A.
(2003) The representation of characters’ emotional responses: Do readers infer specific emotions? Cognition and Emotion, 17(3), 413–428.Google Scholar logo with link to Google Scholar
Linderholm, T., Gernsbacher, M. A., Van den Broek, P., Neninde, L., Robertson, R. W., Sundermier, B.
(2004) Suppression of story character goals during reading. Discourse Processes, 37(1), 67–78.Google Scholar logo with link to Google Scholar
Rehak, A., Kaplan, J. A., Weylman, S. T., Kelly, B.
(1992) Story processing in right-hemisphere brain-damaged patients. Brain and Language, 42(3), 320–336.Google Scholar logo with link to Google Scholar
Sanchez, R. P.
(2002) The role of story structure variables in children’s understanding of the causes of emotion in text. Disseration Abstracts International: Section B: The Sciences and Engineering Vol. 62(11-B) Jun 2002, 5411.Google Scholar logo with link to Google Scholar
d. Film music

This assignment is very hard. In case you got ten references, there is a good chance that some of them do not really concern the effects of film music on emotions but on related issues. The combination “music” and “film” yields 81 references. But reading through all these abstracts you will find that those publications that are empirical often deal with cognitive effects of film music rather than emotional effects. Here are some tips on how to compile a list of references that are on target.

The first is that you should try alternatives for all the terms in this assignment. For “music” you can try “soundtrack”. Of course, not all the sounds in a film or television program are music, but still, the research you may find could be relevant. For “film” you may try “movie”, “motion picture”,” or “cinema.” The key terms that you have found in the abstracts may also bring you further. For instance, you may consider replacing music by the term “music perception.” Another way to find more relevant publications is to search for the work of a particular researcher or a journal with a promising title. Reading through the PsycINFO abstracts you will discover that Annabel J. Cohen has written on the subject. Clicking on her name in one of her abstracts will give you all her work. The same holds for the titles of journals that reoccur in your list. You click on the name of the journal as it appears in one of the abstracts on your screen and you find all the articles in that journal (e.g., Psychmusicology). That will be too much to read. Therefore, we advise you to check your “Search History” and combine the findings for the journal with one of the terms from the assignment (e.g., the results for Psychomusicology and “film”).

The second tip concerns the full records that PsycINFO can provide. For instance, click on the file fore Ellis and Simons (2005)Ellis, R. J., Simons, R. F. (2005) The impact of music on subjective and physiological indices of emotion while viewing films. Psychomusicology, 19(1), 15–40.Google Scholar logo with link to Google Scholar. The researchers mention in their abstract that there are only few studies available – we noticed! But we are lucky. They also list all the work that they do know of. Those that are clearly relevant for us are included in the list below. Some of the titles are ambiguous. Before you include those publications you need to be sure that the work is empirical, and pertains to the effects of film music on emotions.

Some researchers may be included in your findings that refer to unpublished dissertations etc. or even to PowerPoint presentations at conferences. In that case you could again focus your search on the names of the researchers and see whether their work is available in some other form.

Finally, we advise you not to reject all publications on cognitive effect without reading thoroughly through the abstracts. For instance, Boltz (2001)Boltz, M. G. (2001) Musical soundtracks as a schematic influence on the cognitive processing of filmed events. Music Perception, 18(4), 427–454.Google Scholar logo with link to Google Scholar is also relevant to effects on mood. Marshall and Cohen (1988)Marshall, S. K. & Cohen, A. J. (1988) Effects of musical soundtracks on attitudes toward animated geometric figures. Music Perception, 6(1), 95–112.Google Scholar logo with link to Google Scholar focus on attitude, but it could be argued that attitude has an emotional component. Do not stretch the terms too far though. You should ignore, for example, research on responses to music in music videos (Preston and Eden, 2002).

This is the list we recommend:

Boltz, M. G.
(2001) Musical soundtracks as a schematic influence on the cognitive processing of filmed events. Music Perception, 18(4), 427–454.Google Scholar logo with link to Google Scholar
Cohen, A. J.
(Ed.) (Manual (1995)) Special issue on the psychology of film music. Psychomusicology, 13.Google Scholar logo with link to Google Scholar
(2001) Music as a source of emotion in film. In P. Juslin & J. A. Sloboda (Eds.). Music and emotion: Theory and research (pp. 249–272). New York, NY: Oxford University Press.Google Scholar logo with link to Google Scholar
(1990) Understanding musical soundtracks. Empirical Studies of the Arts, 8(2), 111–124.Google Scholar logo with link to Google Scholar
Darrow, A. A.
(2006) The role of music in deaf culture: Deaf students’ perception of emotion in music. Journal of Music Therapy, 43(1), 2–15.Google Scholar logo with link to Google Scholar
Ellis, R. J., Simons, R. F.
(2005) The impact of music on subjective and physiological indices of emotion while viewing films. Psychomusicology, 19(1), 15–40.Google Scholar logo with link to Google Scholar
Marshall, S. K. & Cohen, A. J.
(1988) Effects of musical soundtracks on attitudes toward animated geometric figures. Music Perception, 6(1), 95–112.Google Scholar logo with link to Google Scholar
Prendergast, R. M.
(1992) Film music: A neglected art. New York: Norton.Google Scholar logo with link to Google Scholar
Bullerjahn, C.
(2001) Grundlagen der Wirkung von Filmmusik [Principles of the effects of film music]. Augsburg, Germany: WiBner.Google Scholar logo with link to Google Scholar
Vitouch, O.
(2001) When your ear sets the stage: Musical context effects in film perception. Psychology of Music, 29(1), 70–83.Google Scholar logo with link to Google Scholar

Alternatives

Here are two alternatives. Both seem indirectly relevant to the assignment.

Thayer, J. F., & Levenson, R. W.
(1983) Effects of music on psychophysiological responses to a stressful film. Psychomusicology, 3(1), 44–52.Google Scholar logo with link to Google Scholar
Thompson, W. F., Russo, F. A., Sinclair, D.
(Manual (1995)) Effects of underscoring on the perception of closure in filmed events. Psychomusicology, 13(1–2), 9–27.Google Scholar logo with link to Google Scholar
e. Effects of art education

This assignment is complicated for two reasons, at least. First, there is much work done in this field, but not all publications that you will find are based on empirical research. You may have tried the combination “art” and “education” and stumbled on a listing of 3370 publications. Of course this is too much to read through. Also, you will soon find out that the word “art” is used in many different meanings.

Here are some hints on how to narrow down your search. One thing you could do is include the word “effect”. This results in a list of 160 articles and other publications. Maybe you could manage to read through these and select the ones that are relevant for this assignment. Other options are that you consider alternatives for the key terms that bring you closer to the work you are interested in. For “education” you could use “curriculum” or “instruction.” Try the PsycINFO index term “Art Education”; this will certainly exclude all the articles that talk about education and the “state-of-the-art” in some domain of research. Another way to reduce the number of hits is to focus on particular effects of art education. The definition of the assignment topic is rather global. What you could do is make it more specific by including “therapy” or “aesthetic preference” in your search. Consider, though, the consequences. Such a search will not inform you about what other effects have been found. Think also of the many kinds of art education that are out there. You will find that some concern music (and you were instructed to look for research on the education of the visual arts), and others on making art (drawing, painting).

Like in the other assignments, one quick way to find your ten references is to focus on relevant journals. Reading through the PsycINFO output you soon discover there are at least two sources that turn up often. One is Empirical Study of the Arts, the second is Visual Arts Research. Click on the names of these journals and you will find a listing of all the articles included in PsycINFO. Now reading through all of these will again take too much time. What you could do instead is narrow down the search in Search History with terms like “training” or “curriculum”.

One way to come closer to your subject is to consider how one would go about assessing the effects of art training. One way would be to compare the behavior, preferences, perception, etc. of art novices with art students/experts. You can make use of this assumption in your search by including the terms “novice” or “expert”.

Recommended

Cunliffe, L.
(1999) Enhancing novices’ ability to achieve percipience of works of art. Empirical Studies of the Arts, 17(2), 155–169.Google Scholar logo with link to Google Scholar
Erickson, M.
(1995) Second grade students’ developing art historical understanding. Visual Arts Research, 21(1), 15–24.Google Scholar logo with link to Google Scholar
Eysenck, H. J. & Hawker, G. W.
(Manual (1995)) The taxonomy of visual aesthetic preferences: An empirical study. Empirical Studies of the Arts, 12(1), 95–101.Google Scholar logo with link to Google Scholar
Freedman, K. & Schuler, K.
(2003) Please stand by for an important message: Television in art education. Visual Arts Research, 29, 163–172.Google Scholar logo with link to Google Scholar
Hekkert, P., & van Wieringen, P. C. W.
(1996) Beauty in the eye of expert and nonexpert beholders: A study in the appraisal of art. American Journal of Psychology, 109, 389–407.Google Scholar logo with link to Google Scholar
Gardiner, M. F., Fox, A., Knowles, F. & Jeffrey, D.
(1996) Learning improved by arts training. Nature, 381(6580), 284.Google Scholar logo with link to Google Scholar
Gottesdiener, H. & Vilatte, J. C.
(2001) Impact of a game booklet on family visit to an art exhibition. Empirical Studies of the Arts, 19(2), 167–176.Google Scholar logo with link to Google Scholar
Koroscik, J. S.
(1997) What potential do young people have for understanding works of art? In A. M. Kindler (Ed.), Child development in art (pp. 143–163). Reston, VA: National Art Education Association.Google Scholar logo with link to Google Scholar
Neperud, R. W.
(1986) The relationship of art training and sex differences to aesthetic valuing. Visual Arts Research, 12(2), 1–9.Google Scholar logo with link to Google Scholar
Parsons, M. J.
(1987) How we understand art: A cognitive-developmental account of aesthetic experience. Cambridge: Cambridge University Press.Google Scholar logo with link to Google Scholar
Schiller, M.
(1995) The importance of conversations about art with young children. Visual Arts Research, 21(1), 25–34.Google Scholar logo with link to Google Scholar
Silvia, P. J.
(2006) Artistic training and interest in visual art: Applying the appraisal model of aesthetic emotions. Empirical Studies of the Arts, 24(2), 139–161.Google Scholar logo with link to Google Scholar

Alternatives

You will find that there are many dissertations written on the subject. Since the assignment specifies you should focus on peer-reviewed journals, we included some of them in our list of “alternatives” below. Also, as you may have discovered, some of the work is rather old. These were not included in the list of recommended literature.

Bergamo, D. J.
(1978) The effect of environment-centered art instruction on the development of aesthetic and creative responses in high school art students. Dissertation Abstracts International, 39(2-A), 616.Google Scholar logo with link to Google Scholar
Bieliauskas, V. J., & Bristow, R. B.
(1959) The effect of formal art training upon the quantitative scores of the H-T-P. Journal of Clinical Psychology, 15, 57–59.Google Scholar logo with link to Google Scholar
Booker, W. E.
(1981) The effect of a divergent thinking model on the teaching of art. Disseration Abstracts International, Vol. 41(12-A, Pt 1), 4941.Google Scholar logo with link to Google Scholar
Chen, Q., & Li, H.
(1984) An experimental research on teaching landscape sketching to elementary school children. Information on Psychological Sciences, 3, 8–13.Google Scholar logo with link to Google Scholar
Colchado, J. D.
(1979) The effect of an art program designed to enhance the self-concept of Mexican-American children. Disseration Abstracts International, Vol. 40(2-A), 617–618.Google Scholar logo with link to Google Scholar
Cole, E. S.
(1986) The effect of a cognitively oriented aesthetic curriculum on the aesthetic judgment and responses of four-, six-, and eight-year olds enrolled in an art museum program. Dissertation Abstracts International, 46(8-A), 2166.Google Scholar logo with link to Google Scholar
Covington, S.
(1988) The effect of art instruction upon children’s aesthetic preferences and their graphic representation. Dissertation Abstracts International, 48(8-A) 1963.Google Scholar logo with link to Google Scholar
Harrington, J. J.
(1989) The effect of art education on self-concept of disabled adult students in a community college setting. Dissertation Abstracts International, 50(5-A), 1190.Google Scholar logo with link to Google Scholar
Kumar, A.
(1984) Intelligence and originality among science and art students at +2 stage: A comparative study. Asian Journal of Psychology and Education, 14(1–4), 15–18.Google Scholar logo with link to Google Scholar
Liikanen, P.
(1975) Increasing creativity through art education among pre-school children. Jyvaskyla Studies in Education, Psychology and Social Research, 29, 44.Google Scholar logo with link to Google Scholar
Povey, R. M.
(1970) Science differences: Their relationship to curriculum specialization. British Journal of Psychology, 61(1) 1970, 55–64.Google Scholar logo with link to Google Scholar
Vernon, A.
(1989) Thinking, feeling, behaving: An emotional education curriculum for adolescents: Grades 7–12. Champaign, IL: Research Press.Google Scholar logo with link to Google Scholar
White, R. N. & Bell, M. L.
(1978) The effect of instruction in art vocabulary upon projects in art. Southern Journal of Educational Research, Vol. 12(1), 21–30.Google Scholar logo with link to Google Scholar